Thor (Two-Disc Blu-ray/DVD Combo + Digital Copy)

• Thor Blueray Used Movie

Raised by her father (Eric Bana), an ex-CIA agent, in the wilds of Finland, Hanna's upbringing and training have been one and the same, all geared to making her the perfect assassin. The turning point in her adolescence is a sharp one. Sent into the world by her father on a mission, Hanna journeys stealthily across Europe, eluding agents dispatched after her by a ruthless intelligence operative with secrets of her own (Cate Blanchett). As she nears her ultimate target, Hanna faces startling revelations about her existence.Hanna has the plot of a Hollywood action blockbuster but the style of a European art movie--and this unholy hybrid is fascinating to watch. Hanna (Saoirse Ronan, The Lovely Bones) has been raised by her father (Eric Bana, Munich), an ex-covert agent, for one purpose: to murder the American agent, Marissa Wiegler (Cate Blanchett), ! who murdered Hanna's mother. Hanna thinks she succeeds and escapes, but she's actually being followed by Wiegler, who will go to any lengths to exterminate the girl. Hanna could have been little more than a tween reboot of La Femme Nikita, but in the hands of director Joe Wright (Atonement, Pride & Prejudice) the movie spends as much time on Hanna's budding relationship with a girl on holiday in Morocco as it does on Hanna's capacity to kill. Even the action scenes have atypical rhythms (and one violent sequence occurs in a long, sustained shot that will make film geeks squeal with glee). Hanna is visually sumptuous, emotionally delicate, and completely unlike any other action flick you'll see. The ending goes flat as disappointingly banal plot mechanics take hold, but up until then, Hanna combines genuine thrills, unexpected complexity of character, and an unusual electronica soundtrack into an enthralling film. --Bret FetzerRaised by her father (Eric Bana), an ex-CIA agent, in the wil! ds of Fi nland, Hanna's upbringing and training have been one and the same, all geared to making her the perfect assassin. The turning point in her adolescence is a sharp one. Sent into the world by her father on a mission, Hanna journeys stealthily across Europe, eluding agents dispatched after her by a ruthless intelligence operative with secrets of her own (Cate Blanchett). As she nears her ultimate target, Hanna faces startling revelations about her existence.Hanna has the plot of a Hollywood action blockbuster but the style of a European art movie--and this unholy hybrid is fascinating to watch. Hanna (Saoirse Ronan, The Lovely Bones) has been raised by her father (Eric Bana, Munich), an ex-covert agent, for one purpose: to murder the American agent, Marissa Wiegler (Cate Blanchett), who murdered Hanna's mother. Hanna thinks she succeeds and escapes, but she's actually being followed by Wiegler, who will go to any lengths to exterminate the girl. Hanna could have been little more than a tween reboot of La Femme Nikita, but in the hands of director Joe Wright (Atonement, Pride & Prejudice) the movie spends as much time on Hanna's budding relationship with a girl on holiday in Morocco as it does on Hanna's capacity to kill. Even the action scenes have atypical rhythms (and one violent sequence occurs in a long, sustained shot that will make film geeks squeal with glee). Hanna is visually sumptuous, emotionally delicate, and completely unlike any other action flick you'll see. The ending goes flat as disappointingly banal plot mechanics take hold, but up until then, Hanna combines genuine thrills, unexpected complexity of character, and an unusual electronica soundtrack into an enthralling film. --Bret FetzerThe epic adventure Thor spans the Marvel universe from present-day Earth to the cosmic realm of Asgard. At the center of the story is The Mighty Thor, a powerful but a! rrogant warrior whose reckless actions reignite an ancient war! . As a r esult, Thor is banished to Earth where he is forced to live among humans. When the most dangerous villain of his world sends its darkest forces to invade Earth, Thor learns what it takes to be a true hero.Of all the folks in long underwear to be tapped for superhero films, Thor would seem to be the most problematic to properly pull off. (Hypothetical Hollywood conversation: "A guy in a tricked-out, easily merchandisable metal suit? Great! An Asgardian God of Thunder who says stuff like thee and thou? Um, is Moon Knight available?") Thankfully, the resulting film does its source material rather proud, via a committed cast and an approach that doesn't shy away from the over-the-top superheroics. When you're dealing with a flying guy wielding a huge hammer, gritty realism can be overrated, really. Blending elements from the celebrated comic arcs by Walter Simonson and J. Michael Straczynski, the story follows the headstrong Thunder God (Chris Hemsworth) as he is b! anished to Earth and stripped of his powers by his father Odin (Anthony Hopkins) after inadvertently starting a war with a planet of ticked-off Frost Giants. As his traitorous brother Loki (the terrific Tom Hiddleston) schemes in the wings, Thor must redeem himself and save the universe, with the aid of a beautiful scientist (Natalie Portman). Although director Kenneth Branagh certainly doesn't skimp on the in-jokes and fan-pleasing continuity references (be prepared to stick around after the credits, Marvel fans), his film distinguishes itself by adopting a larger-than-life cosmic Shakespearean air that sets itself apart from both the cerebral, grounded style made fashionable by The Dark Knight and the loose-limbed Rat Packish vibe of the Iron Man series. Glorying in the absolute unreality of its premise, Branagh's film is a swooping, Jack Kirby-inspired saga that brings the big-budget grins on a consistent basis, as well as tying in with the superhero battle! royale The Avengers. --Andrew Wright

Doom

• 1 or 2 Players
• Over 50 Hellish Levels
• All-new 24 channel stereo sound effects
• 2 player "Deathmatch" and "Competative" modes
• The Best monsters, weapons and bosses from Ultimate Doom and Doom II

A frantic call for help from a remote research station on Mars sends a team of mercenary Marines into action. Led by The Rock and Karl Urban, they descend into the Olduvai Research Station, where they find a legion of nightmarish creatures, lurking in the darkness, killing at will. Once there, the Marines must use an arsenal of firepower to carry out their mission: nothing gets out alive. Based on the hugely popular video game, Doom is an explosive action-packed thrill ride! Starring: Dwayne ''The Rock'' Johnson, Karl Urban, Rosamund Pike, Deobia Oparei, Ben Daniels, Raz Adoti, Richard Brake, Brian Steele, Doug Jones, Dwayne 'The Rock' Johnson Directed by: Andrzej Bartk! owiakGrab your BFG and get ready to kick some Martian-demon butt in Doom, another entry in the increasingly crowded videogame-to-movie genre. The Rock plays Sarge, the commander of a squad of Marines sent to investigate a disturbance at a scientific research facility on Mars. Among the squad is John Grimm (Karl Urban, who played Eomer in The Lord of the Rings), who turns out to have had a previous relationship with Samantha (Rosamund Pike, Die Another Day), the scientist who's accompanying the Marines in order to retrieve some vital data from the facility. Based on id Software's legendary first-person shooter, Doom tries its best to look like a game, with dark, angled corridors, ferocious creatures appearing out of nowhere, and a variety of lethal weapons that will, like the aforementioned BFG, warm the cockles of a gamer's heart. There's also one memorable sequence that actually turns the movie into a first-person shooter; the good news is t! hat in the context of the whole film, it's not quite as goofy ! as it mi ght have been. And that's not a bad frame of reference for the film in general. Considering the game-to-movie field includes such duds as Wing Commander, if you go into Doom with low expectations, you'll probably find it a surprisingly respectable horror/sci-fi thriller in the Resident Evil vein (including its somewhat obligatory subplot of corporate wrongdoing). Also in its favor is that it's unabashedly R-rated, for the extreme gore that is a trademark of the game. After all, the purpose of the movie is to pack scares and thrills into a setting that gamers will quickly recognize. In that sense, it qualifies as a success. --David HoriuchiNo question about it: Doom is one of the greatest games of all time. The blend of a simple, yet compelling mission, breakthrough 3-D interface, brilliant level and weapon design, and the effective use of fear made Doom an instant classic and launched a revolution in computer games. Born on the! PC, this game has been ported to almost everything imaginable, and the PlayStation port is one of the best.

You play the part of a space marine who was stationed on a research station on the Martian moon, Phobos. Something went very wrong when the researchers opened an extradimensional portal. Now you're trapped far from home, grabbing guns and ammo to blast the demons. A one-man crusade, you shoot everything that moves--and, likewise, everything that moves tries to return the favor.

This was the game that launched the multiplayer craze on the PC, and the PlayStation version does its best to live up to Doom's reputation as the ultimate multiplayer deathmatch game. If you have two players, two PlayStations, and a link cable, you can enjoy some mad two-player mayhem.

A few words of caution: remember that Doom was the first wildly successful first-person shooter, and while its graphics were astounding for its era, it hasn't aged well. If you want the ! latest and greatest graphics, you'll be disappointed, but if y! ou're in to quality gaming and appreciate history, you'll still get a huge blast out of Doom. --John Cocking

Pros:

• Lots of mayhem
• Terror mounts as your ammo count drops

Cons:

• Older graphics
• Nothin' but violence
• Sluggish when compared to the PC version

Home Alone Collection [Blu-ray]

• Condition: New
• Format: Blu-ray
• Color; Widescreen

Eight-year-old Kevin McCallister (Macaulay Culkin) has become the man of the house, overnight! Accidentally left behind when his family rushes off on a Christmas vacation, Kevin gets busy decorating the house for the holidays. But he's not decking the halls with tinsel and holly. Two bumbling burglars are trying to break in, and Kevin's rigging a bewildering battery of booby traps to welcome them!Now and forever a favorite among kids, this 1990 comedy written by John Hughes (The Breakfast Club) and directed by Chris Columbus (Mrs. Doubtfire) ushered Macaulay Culkin onto the screen as a troubled 8-year-old who doesn't comfortably mesh with his large family. He's forced to grow a little after being accidentally left behind when his folks and siblings fly off to Paris. A good-looking boy, Culkin lights up the scree! n during several funny sequences, the most famous of which finds him screaming for joy when he realizes he's unsupervised in his own house. A bit wooden with dialogue, the then-little star's voice could grate on the nerves (especially in long, wise-child passages of pure bromide), but he unquestionably carries the film. Billie Bird and John Candy show up as two of the interesting strangers Culkin's character meets. Joe Pesci and Daniel Stern are entertainingly cartoonish as thieves, but the ensuing violence once the little hero decides to keep them out of his house is over-the-top. --Tom Keogh Home Alone
Home Alone 2: Lost in New York
Home Alone 3
Home Alone 4Kevin McCallister (Macaulay Culkin) is back! But this time he's in New York City with enough cash and credit cards to turn the Big Apple into his own playground! But Kevin won't be alone for long. The notorious Wet Bandits, Harry and Marv (Joe Pesci and Daniel Stern)! , still smarting from their last encounter with Kevin, are bou! nd for N ew York too, plotting a huge holiday heist. Kevin's ready to welcome them with a battery of booby traps the bumbling bandits will never forget!This somewhat unpleasant 1992 sequel to the blockbuster Home Alone revisits the first film's gimmick by stranding Macaulay Culkin's character in New York City while his family ends up somewhere else. Again, the little guy meets up with colorful people on the margins of society (including a pigeon woman played by Brenda Fricker) and again he gets into a prop-heavy battle with Joe Pesci and Daniel Stern. The latter sequence is even worse than the first film in terms of violence inflicted on the two villains (director Chris Columbus, who also made the first film, can't seem to emphasize the slapstick over the graphic effects of the fight). The best running joke finds a concierge (Tim Curry) at the swank hotel where Culkin is staying trying and failing to prove that the boy is on his own. --Tom Keogh Eight-year-old Kevin Mc! Callister (Macaulay Culkin) has become the man of the house, overnight! Accidentally left behind when his family rushes off on a Christmas vacation, Kevin gets busy decorating the house for the holidays. But he's not decking the halls with tinsel and holly. Two bumbling burglars are trying to break in, and Kevin's rigging a bewildering battery of booby traps to welcome them!Now and forever a favorite among kids, this 1990 comedy written by John Hughes (The Breakfast Club) and directed by Chris Columbus (Mrs. Doubtfire) ushered Macaulay Culkin onto the screen as a troubled 8-year-old who doesn't comfortably mesh with his large family. He's forced to grow a little after being accidentally left behind when his folks and siblings fly off to Paris. A good-looking boy, Culkin lights up the screen during several funny sequences, the most famous of which finds him screaming for joy when he realizes he's unsupervised in his own house. A bit wooden with dialogue, the! then-little star's voice could grate on the nerves (especiall! y in lon g, wise-child passages of pure bromide), but he unquestionably carries the film. Billie Bird and John Candy show up as two of the interesting strangers Culkin's character meets. Joe Pesci and Daniel Stern are entertainingly cartoonish as thieves, but the ensuing violence once the little hero decides to keep them out of his house is over-the-top. --Tom Keogh Contains Home Alone and Home Alone 2: Lost in New York

A Bug's Life (Two-Disc Collector's Edition)

• Journey inside the miniature world of bugs for bigger-than-life fun and adventure under every leaf! Crawling with imaginative characters, hilarious laughs, and colorful animation, Disney and Pixar's A BUG'S LIFE will "delight everyone -- young, old, or six-legged" ("People" magazine). On behalf of "oppressed bugs everywhere" an inventive ant named Flik hires "warrior bugs" to defend his co

In an anthill with millions of inhabitants, Z 4195 is a worker ant. Feeling insignificant in a conformity system, he accidentally meets beautiful Princess Bala, who has a similar problem on the other end of the social scale. In order to meet her again, Z switches sides with his soldier friend Weaver - only to become a hero in the course of events. By this he unwillingly crosses the sinister plans of ambitious General Mandible (Bala's fiancé, by the way), who wants to divide the ant society into a superior,! strong race (soldiers) and an inferior, to-be-eliminated race (the workers). But Z and Bala, both unaware of the dangerous situation, try to leave the oppressive system by heading for Insectopia, a place where food paves the streets. --Written by Julian ReischlWoody Allen as a worker ant with an inferiority complex? Sylvester Stallone as an affable soldier ant who discovers that digging tunnels is cool? The animation playground we all knew so well is turning into a theme park full of in-jokes for grownups. Antz explores age-old topics (one person--err, insect--can make a difference, individuality and social responsibility must exist side by side, war is hell) with comic asides and Woody Allen's funniest quips this side of PG (adults will chuckle at the socialist slogans bandied about as he campaigns for workers' rights). Sharon Stone voices the rebellious princess with a fun-loving streak that doesn't quite overcome her royal bearing and court training, but she can ! learn. Gene Hackman is all teeth (ants have teeth?) and menaci! ng grins as the Army general plotting insect-icide. This bug's-eye view of life on Earth gives Allen's neurotic nonconformist an epic adventure of microscopic proportions: a devastating war with a termite colony, an odyssey to the fabled land of plenty (a picnic ground), and a race to save his fellow workers from certain death. Other voices include Anne Bancroft as the Queen, Christopher Walken, Jennifer Lopez, Danny Glover, Dan Aykroyd, Jane Curtin, and John Mahoney. The computer animation isn't exactly realistic but feels as solid and contoured as puppet animation with the smoothness and slickness of traditional cel cartoons, and the character designs and animation offer a marvelous range of expressions. The PG rating includes a gritty battle sequence that may frighten youngsters. --Sean AxmakerEarth, that shining beacon of human magnificence, of human achievement, the very birthplace of mankind itself, now falls in line for Antz invasion.

I want to thank my re! aders. I know I'm not the best writer in the world but I strive to tell a good story. I do write a few run on sentences, I'll admit, but it's to pack as much information into each line as possible. To keep the story moving along. The story is why the reader is here. My greatest achievement is when people tell me they couldn't put my book down. They couldn't stop turning the pages because they wanted to know what was going to happen next. All the way through the book. That's my greatest achievement.

You may expect to see the next installment of this series in December (this December). All further installments will be full length, as Winter is here and I will have the time to write full time.
Thank you and enjoy.Earth, that shining beacon of human magnificence, of human achievement, the very birthplace of mankind itself, now falls in line for Antz invasion.

I want to thank my readers. I know I'm not the best writer in the world but I strive to tell a! good story. I do write a few run on sentences, I'll admit, bu! t it's t o pack as much information into each line as possible. To keep the story moving along. The story is why the reader is here. My greatest achievement is when people tell me they couldn't put my book down. They couldn't stop turning the pages because they wanted to know what was going to happen next. All the way through the book. That's my greatest achievement.

You may expect to see the next installment of this series in December (this December). All further installments will be full length, as Winter is here and I will have the time to write full time.
Thank you and enjoy.Woody Allen as a worker ant with an inferiority complex? Sylvester Stallone as an affable soldier ant who discovers that digging tunnels is cool? The animation playground we all knew so well is turning into a theme park full of in-jokes for grownups. Antz explores age-old topics (one person--err, insect--can make a difference, individuality and social responsibility must exist side by side, ! war is hell) with comic asides and Woody Allen's funniest quips this side of PG (adults will chuckle at the socialist slogans bandied about as he campaigns for workers' rights). Sharon Stone voices the rebellious princess with a fun-loving streak that doesn't quite overcome her royal bearing and court training, but she can learn. Gene Hackman is all teeth (ants have teeth?) and menacing grins as the Army general plotting insect-icide. This bug's-eye view of life on Earth gives Allen's neurotic nonconformist an epic adventure of microscopic proportions: a devastating war with a termite colony, an odyssey to the fabled land of plenty (a picnic ground), and a race to save his fellow workers from certain death. Other voices include Anne Bancroft as the Queen, Christopher Walken, Jennifer Lopez, Danny Glover, Dan Aykroyd, Jane Curtin, and John Mahoney. The computer animation isn't exactly realistic but feels as solid and contoured as puppet animation with the smoothness and slic! kness of traditional cel cartoons, and the character designs a! nd anima tion offer a marvelous range of expressions. The PG rating includes a gritty battle sequence that may frighten youngsters. --Sean AxmakerBook Two of the Antz series finds mankind being swept from his own worlds, put to flight and scattered like cosmic dust. The Fleet has been routed. They can't stand toe to toe with the enemy. The only hope is that mankind can hold her worlds, but they will have to be held from the ground, and they were on their own. It has been a long time since man has been hunted by anything other than his own fellow men, but the instincts were still there.Book Two of the Antz series finds mankind being swept from his own worlds, put to flight and scattered like cosmic dust. The Fleet has been routed. They can't stand toe to toe with the enemy. The only hope is that mankind can hold her worlds, but they will have to be held from the ground, and they were on their own. It has been a long time since man has been hunted by anything other than his own ! fellow men, but the instincts were still there.Woody Allen as a worker ant with an inferiority complex? Sylvester Stallone as an affable soldier ant who discovers that digging tunnels is cool? The animation playground we all knew so well is turning into a theme park full of in-jokes for grownups. Antz explores age-old topics (one person--err, insect--can make a difference, individuality and social responsibility must exist side by side, war is hell) with comic asides and Woody Allen's funniest quips this side of PG (adults will chuckle at the socialist slogans bandied about as he campaigns for workers' rights). Sharon Stone voices the rebellious princess with a fun-loving streak that doesn't quite overcome her royal bearing and court training, but she can learn. Gene Hackman is all teeth (ants have teeth?) and menacing grins as the Army general plotting insect-icide. This bug's-eye view of life on Earth gives Allen's neurotic nonconformist an epic adventure of micros! copic proportions: a devastating war with a termite colony, an! odyssey to the fabled land of plenty (a picnic ground), and a race to save his fellow workers from certain death. Other voices include Anne Bancroft as the Queen, Christopher Walken, Jennifer Lopez, Danny Glover, Dan Aykroyd, Jane Curtin, and John Mahoney. The computer animation isn't exactly realistic but feels as solid and contoured as puppet animation with the smoothness and slickness of traditional cel cartoons, and the character designs and animation offer a marvelous range of expressions. The PG rating includes a gritty battle sequence that may frighten youngsters. --Sean AxmakerMankind has expanded unimpeded across the Galaxy. Expansionist and Imperialistic before space travel, one nation against the next, later the corporations, but man was many more times so after. After space travel. First men fought over the moon and mars, and then quickly onward as fast as the fuel of greed could compel them. The Corporations owned space.
Corporate expansion into the Galaxy! didn't last long. It only lasted long enough for them to have the first alien contact, and a devastating financial loss, and mankind suddenly found itself under attack by the first alien race it had made contact with.
Since that time man has marched across the Galaxy and over every sentient race he encountered, exterminating them down to specimens and even less in most cases. Man has grown strong and numerous and now sits quiescently in control of all he purveys. Until the day an unknown intruder exits Jump without warning and breaks through the Protected Zone.
Mankind has always been the most industrious, the most technological, the fiercest, the most numerous, whatever it took to prevail, but this new enemy outnumbers man millions to one and mankind finds itself in the unusual position of having either to prevail, or face complete annihilation.
The Hswgi have been marching across the Universe for millions of years. The Hswgi are vegetarian, but their ! larvae required meat. No longer planet dwellers, truly the nom! ads they had been designed to be, they continued to raid as they always had. Mankind seemed an an easy meal.
P.S. This book has received a new full edit as of 10/27/2011.
The next installment of this series will be coming in December 2011.
Thank you and enjoy!Mankind has expanded unimpeded across the Galaxy. Expansionist and Imperialistic before space travel, one nation against the next, later the corporations, but man was many more times so after. After space travel. First men fought over the moon and mars, and then quickly onward as fast as the fuel of greed could compel them. The Corporations owned space.
Corporate expansion into the Galaxy didn't last long. It only lasted long enough for them to have the first alien contact, and a devastating financial loss, and mankind suddenly found itself under attack by the first alien race it had made contact with.
Since that time man has marched across the Galaxy and over every sentient race he encountered, exterm! inating them down to specimens and even less in most cases. Man has grown strong and numerous and now sits quiescently in control of all he purveys. Until the day an unknown intruder exits Jump without warning and breaks through the Protected Zone.
Mankind has always been the most industrious, the most technological, the fiercest, the most numerous, whatever it took to prevail, but this new enemy outnumbers man millions to one and mankind finds itself in the unusual position of having either to prevail, or face complete annihilation.
The Hswgi have been marching across the Universe for millions of years. The Hswgi are vegetarian, but their larvae required meat. No longer planet dwellers, truly the nomads they had been designed to be, they continued to raid as they always had. Mankind seemed an an easy meal.
P.S. This book has received a new full edit as of 10/27/2011.
The next installment of this series will be coming in December 2011.
Thank you and enjo! y!Journey inside the world of bugs in this epic of miniature p! roportio ns. Crawling with imaginative characters, hilarious laughs, and colorful animation, Walt Disney Pictures Presentation of A Pixar Animation Studios Film, A BUG'S LIFE, will "delight everyone -- young, old, or six-legged." (People Magazine) In this 2-disc set you'll step behind the scenes for a look at the innovation and teamwork that resulted in this ingenious film. Loaded with bonus features â€" including animation not seen in theaters, abandoned sequences, and multiple surprises â€" A BUG'S LIFE COLLECTOR'S EDITION offers something for everyone from families to film lovers!There was such a magic on the screen in 1995 when the people at Pixar came up with the first fully computer-animated film, Toy Story. Their second feature film, A Bug's Life, may miss the bull's-eye but Pixar's target is so lofty, it's hard to find the film anything less than irresistible.

Brighter and more colorful than the other animated insect movie of 1998 (Antz), A Bug! 's Life is the sweetly told story of Flik (voiced by David Foley), an ant searching for better ways to be a bug. His colony unfortunately revolves around feeding and fearing the local grasshoppers (lead by Hopper, voiced with gleeful menace by Kevin Spacey). When Flik accidentally destroys the seasonal food supply for the grasshoppers he decides to look for help ("We need bigger bugs!"). The ants, led by Princess Atta (Julia Louis-Dreyfus), are eager to dispose of the troublesome Flik. Yet he finds help--a hearty bunch of bug warriors--and brings them back to the colony. Unfortunately they are just traveling performers afraid of conflict.

As with Toy Story, the ensemble of creatures and voices is remarkable and often inspired. Highlights include wiseacre comedian Denis Leary as an un-ladylike ladybug, Joe Ranft as the German-accented caterpillar, David Hyde Pierce as a stick bug, and Michael McShane as a pair of unintelligible pillbugs. The scene-stealer! is Atta's squeaky-voiced sister, baby Dot (Hayden Panettiere)! , who ha s a big sweet spot for Flik.

More gentle and kid-friendly than Antz, A Bug Life's still has some good suspense and a wonderful demise of the villain. However, the film--a giant worldwide hit--will be remembered for its most creative touch: "outtakes" over the end credits à la many live-action comedy films. These dozen or so scenes (both "editions" of outtakes are contained here) are brilliant and deserve a special place in film history right along with 1998's other most talked-about sequence: the opening Normandy invasion in Saving Private Ryan.

The video also contains Pixar's delightful Oscar-winning short, Geri's Game. Box art varies. --Doug Thomas

Dr. Hook Greatest Hits (And More)

• 100% pre-shrunk cotton
• Wash warm; dry low
• Imported
• Listed in junior sizes
• By Ripple Junction

Dr. Sullivan Travis, a successful Dallas gynecologist, finds his life disrupted by the women in his life; his wife suffers a nervous breakdown, his eldest daughter plans to marry despite being a lesbian, his youngest daughter is a conspiracy freak, his se
Genre: Feature Film-Comedy
Rating: R
Release Date: 21-OCT-2003
Media Type: DVDLoose-limbed and casual even for a Robert Altman movie, Dr. T & the Women has a sly, offhanded wit that makes up for its ramshackle structure. Richard Gere's eponymous gynecologist seems the model of success: his office is packed daily with the cream of Dallas's society matrons clamoring for an appointment, his home life is blessed with loving wife Farrah Fawcett and daughters Tara Reid and Kate! Hudson, and when he needs a break from the estrogen congestion there are always weekends to be spent with his trio of hunting buddies. But on a trip to the mall to shop for Hudson's upcoming nuptials, Fawcett strips naked and leaps about in a waterfall. Her subsequent incarceration in a mental hospital (she's diagnosed with the fictional "Hestia complex," suffering from receiving too much affection) along with the ongoing preparations for the wedding barely make a dent in Gere's charming, compassionate demeanor. Then his golf course hires a new female pro who's everything the other women in his life are not--independent, self-confident, Helen Hunt--and Dr. T finds himself with yet another woman to love. Though the minor characters are mostly nasty little caricatures, the film is not the bitter misogynistic rant its detractors claim it is; the problems in Dr. T's life are placed squarely on his own inability to see that women don't need his genteel protection, and Gere perf! ectly captures this sweet yet condescending blind spot. --B! ruce Rei dIn director Robert Altman's star-studded new ensemble comedy, Richard Gere is a frantically overworked, socially in-demand gynecologist whose life is coming apart at the seams. His wife (Farrah Fawcett) has regressed into a childlike state, while one daughter (Tara Reid) is raising suspicions about the relationship between his soon-to-be-married other daughter (Kate Hudson) and her maid of honor (Liv Tyler). Meanwhile, just as his champagne-loving sister-in-law (Laura Dern) arrives with three nieces in tow, the doctor falls for the sexy new golf pro (Helen Hunt). As complications mount, the good doctor's life rapidly approaches the force of a Texas tornado!Loose-limbed and casual even for a Robert Altman movie, Dr. T & the Women has a sly, offhanded wit that makes up for its ramshackle structure. Richard Gere's eponymous gynecologist seems the model of success: his office is packed daily with the cream of Dallas's society matrons clamoring for an appointment, hi! s home life is blessed with loving wife Farrah Fawcett and daughters Tara Reid and Kate Hudson, and when he needs a break from the estrogen congestion there are always weekends to be spent with his trio of hunting buddies. But on a trip to the mall to shop for Hudson's upcoming nuptials, Fawcett strips naked and leaps about in a waterfall. Her subsequent incarceration in a mental hospital (she's diagnosed with the fictional "Hestia complex," suffering from receiving too much affection) along with the ongoing preparations for the wedding barely make a dent in Gere's charming, compassionate demeanor. Then his golf course hires a new female pro who's everything the other women in his life are not--independent, self-confident, Helen Hunt--and Dr. T finds himself with yet another woman to love. Though the minor characters are mostly nasty little caricatures, the film is not the bitter misogynistic rant its detractors claim it is; the problems in Dr. T's life are placed squarely ! on his own inability to see that women don't need his genteel ! protecti on, and Gere perfectly captures this sweet yet condescending blind spot. --Bruce ReidMaverick director Robert Altman handpicked country star Lyle Lovett to score his latest film, and with the help of pianist Matt Rollings and bassist Victor Krauss, Lovett has accomplished the feat with his usual level of professionalism and personal touch. Lovett has always been one of Nashville's outsiders, soulful and smooth yet intelligent and menacing, just as likely to emote from a gospel shout or blues holler as from the expected Nashville twang. "You've Been So Good Up to Now" and "She's Already Made Up Her Mind" are reprised from Lovett's acclaimed Joshua Judges Ruth album, and the tracks are indicative of Lovett's subtle touch, as both unpeel their emotional turmoil slowly. The new instrumental numbers range from the haunting theme and the New Orleans goodtime of "Opening Credits," to the old-time honky-tonk of "Golf Cart Love" (which begs for a Lovett vocal) and sombe! r piano ballad "Lady of the Lake." Mostly, though, it's lots of barrelhouse piano and fiddle-fussing around from a simpler time. The one new vocal number, "Ain't It Somethin'," is a dirge about how we silly humans can make the most mundane things seem so significant. --Rob O'Connor Loose-limbed and casual even for a Robert Altman movie, Dr. T & the Women has a sly, offhanded wit that makes up for its ramshackle structure. Richard Gere's eponymous gynecologist seems the model of success: his office is packed daily with the cream of Dallas's society matrons clamoring for an appointment, his home life is blessed with loving wife Farrah Fawcett and daughters Tara Reid and Kate Hudson, and when he needs a break from the estrogen congestion there are always weekends to be spent with his trio of hunting buddies. But on a trip to the mall to shop for Hudson's upcoming nuptials, Fawcett strips naked and leaps about in a waterfall. Her subsequent incarceration in a me! ntal hospital (she's diagnosed with the fictional "Hestia comp! lex," su ffering from receiving too much affection) along with the ongoing preparations for the wedding barely make a dent in Gere's charming, compassionate demeanor. Then his golf course hires a new female pro who's everything the other women in his life are not--independent, self-confident, Helen Hunt--and Dr. T finds himself with yet another woman to love. Though the minor characters are mostly nasty little caricatures, the film is not the bitter misogynistic rant its detractors claim it is; the problems in Dr. T's life are placed squarely on his own inability to see that women don't need his genteel protection, and Gere perfectly captures this sweet yet condescending blind spot. --Bruce ReidThis fitted tee features the one and only Dr. Frank-N-Furter from The Rocky Horror Picture Show.Out of print in the U.S. Originally released in 1987, Greatest Hits & More contains the best of Dr. Hook's recordings for the Capitol label. 15 tracks including 'Only Sixteen', 'Sylvia's Moth! er', 'Sexy Eyes', 'When You're In Love With A Beautiful Woman', 'Cover Of The Rolling Stone' and more. Capitol.

Celtic Woman: Songs From The Heart

• DVD
• Celtic Woman
• Format DVD

GRACE OF MY HEART - DVD MovieThe traditions of old-fashioned melodrama are given a hip facelift in this homage to the Brill Building era (the late 1950s to the early 1970s) of pop-music glory, providing a perfect match between writer-director Allison Anders and her excellent cast. Illeana Douglas plays a singer-songwriter (loosely modeled after Brill recording artist Carole King) whose life runs emotionally parallel to popular music trends. John Turturro is a stand-in for "wall of sound" producer Phil Spector and Matt Dillon is a thinly disguised version of maverick Beach Boy Brian Wilson. It's a bit too schematic in the way the central character is always in the right place at the right time, but as a tale of fame and romantic highs and lows in the '50s and '60s the movie is funny, touching, and sincere. It's a lively and loving tribute to timeless! music and the colorful characters who created it. --Jeff Shannon A terrific sampler of greatest hits from the heyday of girl groups and the Brill Building--except that none of the songs are actually from that era. What we have here is an incredible simulation--from Allison Anders' unjustly overlooked 1996 movie about the tempestuous life and career of a Carole King- like singer-songwriter (the magnificent Illeana Douglas) who spends years writing for others before finding her own voice. But instead of just licensing the old Shirelles' recordings of Goffin-King hits, the filmmakers came up with the brilliant idea of doing original songs by combining the sensibilities of contemporary artists and their songwriting forebears. So, for example, Elvis Costello and Burt Bacharach teamed up to write and perform the power- ballad "God Give Me Strength" (although I wish they'd also included Douglas's even more moving version from the picture); Leslie Gore te! ams with Larry Klein and David Baerwald for "My Secret Love" ! (perform ed by Miss Lily Banquette of Combustible Edison); Gerry and Louise Goffin team with Baerwald for "Between Two Worlds" (performed by Sean Colvin); J. Mascis of Dinosaur Jr. writes and sings some Brian Wilson/Beach Boys-type stuff ("Take a Run at the Sun," "Don't You Think It's Time"), and so on. Buy the record; see the movie. You won't be disappointed. --Jim EmersonTracks: God Give Me the Strength-Burt Bacharach & Elvis Costello, Love Doesn't Ever Fail Us-Williams Brothers, Take a Run at the Sun-J Mascis, I Do-For Real, Between Two Worlds-Shawn Colvin, My Secret Love-Lily Banquette, Man From Mars-Kristen Vigard, Born to Love that Boy-For Real, Truth is You Lied-Jill Sobule, Unwanted Number-For Real, Groovin on You-Juneo, In Another World-Portrait, Don't You Think It's Time-J Mascis, Absence Makes the Heart-Tiffany Anders & Boyd Rice, A Boat on the Sea-Kristen VigardThe traditions of old-fashioned melodrama are given a hip facelift in this homage to the Brill Bu! ilding era (the late 1950s to the early 1970s) of pop-music glory, providing a perfect match between writer-director Allison Anders and her excellent cast. Illeana Douglas plays a singer-songwriter (loosely modeled after Brill recording artist Carole King) whose life runs emotionally parallel to popular music trends. John Turturro is a stand-in for "wall of sound" producer Phil Spector and Matt Dillon is a thinly disguised version of maverick Beach Boy Brian Wilson. It's a bit too schematic in the way the central character is always in the right place at the right time, but as a tale of fame and romantic highs and lows in the '50s and '60s the movie is funny, touching, and sincere. It's a lively and loving tribute to timeless music and the colorful characters who created it. --Jeff Shannon The 1996 film "Grace of My Heart" was directed by Allison Anders and starred Illeana Douglas, Sissy Boyd, and Christina Pickles. The story of its original motion picture soundtrack! CD is rather tortured: Supposedly Joni Mitchell's version of ! the song "Man From Mars" was to be included in the film; Kristen Vigard's version was used instead, but somehow the soundtrack includes Mitchell's version (even though it lists Vigard as the performer). Kind of complicated. This flubbed pressing, apparently recalled after one week, has a catalog number of MCAD 11510. Also included on the CD are songs by the following performers: Burt Bacharach and Elvis Costello ("God Give Me Strength"), the Williams Brothers ("Love Doesn't Ever Fail Us"), J Mascis ("Take a Run at the Sun" and "Don't You Think It's Time"), For Real ("I Do"), Shawn Colvin ("Between Two Worlds"), Miss Lily Banquette of Combustible Edison ("My Secret Love"), For Real ("Born to Love That Boy" and "Unwanted Number"), Jill Sobule, who also appears in the film ("Truth Is You Lied"), Juned ("Groovin' On You"), Portrait ("In Another World"), Tiffany Anders and Boyd Rice ("Absence Makes the Heart Grow Fonder"), and Kristen Vigard ("A Boat on the Sea").Track Listing:
1. T! he Call
2. Fields of Gold
3. When You Believe
4. The Coast of Galiçia
5. The New Ground - Isle of Hope, Isle of Tears
6. Non C’è Piú
7. True Colours
9. Galway Bay
10. Goodnight My Angel
11. O, America!
12. Níl Sé’n Lá
13. The Last Rose Fantasia
14. The Moon’s a Harsh Mistress
15. My Lagan Love
16. Amazing Grace
17. Pie Jesu
18. Slumber My Darling / The Mason’s Apron
19. Danny Boy
20. You Raise Me Up
21. Finale / Mo Ghile Mear

Your Brain and Business: The Neuroscience of Great Leaders

• ISBN13: 9780137064441
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

What was she doing here? Hyattown had changed very little in the years Vanessa Sexton had been away. In some ways her high school sweetheart, Brady Tucker, hadn't changed much eitherâ€"he was still lean, athletic, rugged…But the once reckless boy had become a solid, dependable man. He'd stood her up on the most important night of her life; could she ever trust him again?

So Vanessa had finally come home, Brady thought. She could still turn him inside out with one of her sultry looks. He couldn't believe she hadn't forgiven him for that night twelve years agoâ€"but he'd had his reasons for not showing up. He'd let her leave town thenâ€"but he wasn't going to let her get away this time…

!

What was she doing here? Hyattown had changed very little in the years Vanessa Sexton had been away. In some ways her high school sweetheart, Brady Tucker, hadn't changed much eitherâ€"he was still lean, athletic, rugged…But the once reckless boy had become a solid, dependable man. He'd stood her up on the most important night of her life; could she ever trust him again?

So Vanessa had finally come home, Brady thought. She could still turn him inside out with one of her sultry looks. He couldn't believe she hadn't forgiven him for that night twelve years agoâ€"but he'd had his reasons for not showing up. He'd let her leave town thenâ€"but he wasn't going to let her get away this time…

In Your Brain and Business, Harvard psychiatrist Srinivasan S. Pillay reveals how the latest research in neuroscience can help you lead, communicate, and collaborate more effectively… drive change more successfully… move more rapidly from idea to execution… coach ! colleagues or clients to unprecedented success! Your brain is ! your #1 asset: Optimize it to win!

God's Army (Two-Disc Deluxe Edition)

• New Widescreen Digital Transfer
• New Audio Commentary
• Never Before Seen Deleted Scenes
• Outtakes
• "The Making of God's Army" Featurette

Studio: Victor Multimedia-05 Release Date: 11/14/2006Rookie missionary Brandon Allen confronts the challenges of missionary life in Los Angeles, soon realizing that his most important convert may be himself.

After the Sunset (Widescreen New Line Platinum Series)

• Condition: New
• Format: DVD
• AC-3; Closed-captioned; Color; Dolby; DVD; Subtitled; Widescreen; NTSC

Pierce Brosnan plays a master thief who, after an incredibly successful heist, moves to the Bahamas with his beautiful partner in crime. But the cat and mouse games begins again when an FBI agent, his old nemesis, returns convinced he is going for the biggest score of all, the famous Napoleon diamond.

DVD Features:
DVD ROM Features:Content- Script to Screen
Documentaries:"Before, During and After the Sunset" & "Interview with a Jewel Thief"
Gag Reel:Blooper Reel
Music Video:
Other:Deleted/Alternate Scenes

After the Sunset may not be the greatest jewel-heist caper comedy ever made, but it sure is easy on the eyes. Shifting back into his crowd-pleasing Rush Hour mode, director Brett Ratner kicks off th! e action with a rousing chase scene that pretty much describes the entire film: utter nonsense, but adequately enjoyable. Things get very sunny thereafter, when FBI agent Woody Harrelson lands in the Bahamas to track down ace diamond thief Pierce Brosnan and his lovely accomplice Salma Hayek, whom he suspects of planning their next big heist on a cruise ship. A Bahamian gangster (Don Cheadle) wants in on the action, and the whole thing's about as fluffy as an Elmo doll and just as harmless, especially when you consider Hayek's revealing wardrobe (which, thankfully, distracts from Brosnan's less-than-Bond-like physique). There's an abundance of witty banter between everyone, and the tropical locations make After the Sunset a balmy, vicarious vacation. Critics weren't exactly kind to this breezy dose of popcorn entertainment, but it's an agreeable time-killer and an instant cure for seasonal affective disorder, even if the comedic chemistry leaves something to be desir! ed. --Jeff Shannon