Saturday, November 12, 2011

Living with a Black Dog: His Name Is Depression

  • ISBN13: 9780740757433
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
BLACK DOG - DVD MovieAn ex-con daredevil trucker must reinfect himself with white-line fever in order to save his wife and kid from nasty gunrunners in this enjoyably mindless, twisted-metal-fest from the director of Passenger 57. Longtime MIA action stud Patrick Swayze (who snagged the part after Kevin Sorbo had to suddenly vacate due to health problems) is even more expressionless than usual in the lead role, but helmer Kevin Hooks compensates with a seriously rocking country soundtrack, some pleasantly eccentric supporting characters (including erstwhile crooner Randy Travis and a way-over-the-top Meatloaf as a psychotic trucker preaching damnation by the dashboard light), and--most importan! tly--a whole lot of rolling iron getting smashed in spectacularly kinetic fashion. A low-down, down-home, cotton-picking flick that blows up real good. --Andrew WrightAn ex-con daredevil trucker must reinfect himself with white-line fever in order to save his wife and kid from nasty gunrunners in this enjoyably mindless twisted-metal-fest from the director of Passenger 57. Longtime MIA action stud Patrick Swayze (who snagged the part after Kevin Sorbo had to suddenly vacate due to health problems) is even more expressionless than usual in the lead role, but helmer Kevin Hooks compensates with a seriously rocking country soundtrack, some pleasantly eccentric supporting characters (including erstwhile crooner Randy Travis and a way-over-the-top Meat Loaf as a psychotic trucker preaching damnation by dashboard light), and--most importantly--a whole lot of rolling iron getting smashed in spectacularly kinetic fashion. A low-down, down-home, cotton-picking f! lick that blows up real good. --Andrew WrightOne! in four women and one in six men will suffer from depression at least once in their life. Few are immune. It was the greatly admired Winston Churchill, a depression sufferer for much of his life, who nicknamed this human condition "Black Dog."

Living with a Black Dog is perhaps the most useful book ever created about depression. In simple text and strongly supportive illustrations, this slim volume examines, explains, and demystifies one of the most widespread and debilitating problems afflicting modern society.

Whether you've struggled with your own Black Dog for years, wondered why you're feeling sort of "ruff" lately, or known someone shadowed by a dark canine, Living with a Black Dog is for you. Artist and writer Matthew Johnstone, a depression sufferer himself, delivers a moving and uplifting insight into life with this unsavory companion. Even better, the book shows the strength and support to be found within and around us to tame this shaggy beast and ultim! ately bring it to heel.

Johnstone's book doesn't pretend to have all the answers. It doesn't resort to simple "dog tricks" for dealing with depression. But Living with a Black Dog does deliver understanding, hope, and the assurance that Black Dog days are not forever.

Charlie and the Great Glass Elevator

  • ISBN13: 9780142410325
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
Willy Wonka's famous chocolate factory is opening at last! But only five lucky children will be allowed inside. And the winners are: Augustus Gloop, Veruca Salt, Violet Beauregarde, Mike Teavee, and Charlie Bucket, Our Hero, a boy who is honest and kind, brave and true, and good and ready for the wildest time of his life!Charlie and the Chocolate Factory and its sequel, Charlie and the Great Glass Elevator, along with Roald Dahl's other tales for younger readers, make him a true star of children's literature. Dahl seems to know just how far to go with his oddball fantasies; in Charlie and the Chocolate Factory, for example, nasty Violet Beauregarde blows up into a blueberry fr! om sneaking forbidden chewing gum, and bratty Augustus Gloop is carried away on the river of chocolate he wouldn't resist. In fact, all manner of disasters can happen to the most obnoxiously deserving of children because Dahl portrays each incident with such resourcefulness and humor.

Charlie and the Chocolate Factory is a singular delight, crammed with mad fantasy, childhood justice and revenge, and as much candy as you can eat. The book is also available in Spanish (Charlie y la Fabrica de Chocolate). (The suggested age range for this book is 9-12, but nobody this reviewer has met can resist it, including New York City bellhops, flight attendants, and grumpy teenagers.) Fantasy Adventure. Acclaimed director Tim Burton brings his vividly imaginative style to the beloved Roald Dahl classic Charlie and the Chocolate Factory, about eccentric chocolatier Willy Wonka (Depp) and Charlie, a good-hearted boy from a poor family who lives in the shadow! of Wonka's extraordinary factory. Long isolated from his own ! family, Wonka launches a worldwide contest to select an heir to his candy empire. Five lucky children, including Charlie, draw golden tickets from Wonka chocolate bars and win a guided tour of the legendary candy-making facility that no outsider has seen in 15 years. Dazzled by one amazing sight after another, Charlie is drawn into Wonka's fantastic world in this astonishing andenduring story.Mixed reviews and creepy comparisons to Michael Jackson notwithstanding, Tim Burton's splendidly imaginative adaptation of Charlie and the Chocolate Factory would almost surely meet with Roald Dahl's approval. The celebrated author of darkly offbeat children's books vehemently disapproved of 1971's Willy Wonka and the Chocolate Factory (hence the change in title), so it's only fitting that Burton and his frequent star/collaborator, Johnny Depp, should have another go, infusing the enigmatic candyman's tale with their own unique brand of imaginative oddity. Depp's pale, androgynous! Wonka led some to suspect a partial riff on that most controversial of eternal children, Michael Jackson, but Burton's film is too expansively magnificent to be so narrowly defined. While preserving Dahl's morality tale on the hazards of indulgent excess, Burton's riotous explosion of color provides a wondrous setting for the lessons learned by Charlie Bucket (played by Freddie Highmore, Depp's delightful costar in Finding Neverland), as he and other, less admirable children enjoy a once-in-a-lifetime tour of Wonka's confectionary wonderland. Elaborate visual effects make this an eye-candy overdose (including digitally multiplied Oompa-Loompas, all played by diminutive actor Deep Roy), and the film's underlying weirdness is exaggerated by Depp's admirably risky but ultimately off-putting performance. Of course, none of this stops Burton's Charlie from being the must-own family DVD of 2005's holiday season, perhaps even for those who staunchly defend Gene Wild! er's portrayal of Wonka from 34 years earlier. --Jeff Shann! onSu mmary:
0

About the Author:

•0
Author: Roald Dahl
Illustrator:0
Publisher:Knopf Books for Young Readers
Published Date:09/11/2001
Format:Hardcover
ISBN:0375815597
#of pages:#N/A
Deliciously madcap mayhem and out-of-this-world fantasy--this is what you'll find within the casing of this boxed set of two of Roald Dahl's most brilliant creations: Charlie and the Chocolate Factory and Charlie and the Great Glass Elevator.

For decades, delighted readers of all ages have explored Willy Wonka's fabulous chocolate factory, met the Oompa Loompas, and sampled the chocolate river along with Augustus Gloop. And later, they have zoomed off into the stratosphere in the most remarkable elevator ever created. Now, a new generation of readers barely needs to pause between the first and the second of Roald Dahl's masterful volumes. Hardcover editions of each title, illustrated of course ! by the incomparable Quentin Blake, are tucked in a handy cardboard sleeve, ready for the next set of hungry eyes. Sadly, the convenience of the set is counterbalanced by the poor quality of the paper used for the books. Classics like these deserve thick, creamy, opaque pages; not the flimsy, rough, semitransparent sheets used here. (Ages 7 and older) --Emilie CoulterA poor little boy wins a ticket to visit the inside of a mysterious and magical chocolate factory. When he experiences the wonders inside the factory, the boy discovers that the entire visit is a test of his character.Having proven itself as a favorite film of children around the world, Willy Wonka & the Chocolate Factory is every bit as entertaining now as it was when originally released in 1971. There's a timeless appeal to Roald Dahl's classic children's novel, which was playfully preserved in this charming musical, from the colorful carnival-like splendor of its production design to ! the infectious melody of the "Oompah-Loompah" songs that punct! uate the story. Who can forget those diminutive Oompah-Loompah workers who recite rhyming parental warnings ("Oompah-Loompah, doopity do...") whenever some mischievous child has disobeyed Willy Wonka's orders to remain orderly? Oh, but we're getting ahead of ourselves ... it's really the story of the impoverished Charlie Bucket, who, along with four other kids and their parental guests, wins a coveted golden ticket to enter the fantastic realm of Wonka's mysterious confectionery. After the other kids have proven themselves to be irresponsible brats, it's Charlie who impresses Wonka and wins a reward beyond his wildest dreams. But before that, the tour of Wonka's factory provides a dazzling parade of delights, and with Gene Wilder giving a brilliant performance as the eccentric candyman, Wonka gains an edge of menace and madness that nicely counterbalances the movie's sentimental sweetness. It's that willingness to risk a darker tone--to show that even a wonderland like Wonka'! s can be a weird and dangerous place if you're a bad kid--that makes this an enduring family classic. --Jeff Shannon

Features include:

•MPAA Rating: PG
•Format: Blu-Ray
•Runtime: 115 minutes
Mixed reviews and creepy comparisons to Michael Jackson notwithstanding, Tim Burton's splendidly imaginative adaptation of Charlie and the Chocolate Factory would almost surely meet with Roald Dahl's approval. The celebrated author of darkly offbeat children's books vehemently disapproved of 1971's Willy Wonka and the Chocolate Factory (hence the change in title), so it's only fitting that Burton and his frequent star/collaborator, Johnny Depp, should have another go, infusing the enigmatic candyman's tale with their own unique brand of imaginative oddity. Depp's pale, androgynous Wonka led some to suspect a partial riff on that most controversial of eternal children, Michael Jackson, but Burton's film is too expansively ma! gnificent to be so narrowly defined. While preserving Dahl's m! orality tale on the hazards of indulgent excess, Burton's riotous explosion of color provides a wondrous setting for the lessons learned by Charlie Bucket (played by Freddie Highmore, Depp's delightful costar in Finding Neverland), as he and other, less admirable children enjoy a once-in-a-lifetime tour of Wonka's confectionary wonderland. Elaborate visual effects make this an eye-candy overdose (including digitally multiplied Oompa-Loompas, all played by diminutive actor Deep Roy), and the film's underlying weirdness is exaggerated by Depp's admirably risky but ultimately off-putting performance. Of course, none of this stops Burton's Charlie from being the must-own family DVD of 2005's holiday season, perhaps even for those who staunchly defend Gene Wilder's portrayal of Wonka from 34 years earlier. --Jeff Shannon

DVD features
The second disc is filled with a number of distinctive featurettes. The likely crowd-pleaser in most households is "Attack of t! he Squirrels," which recounts how those fuzzy little creatures (a combination of hard-to-train live animals, animatronics, and computer graphics) can be ornery in their own right. "The Fantastic Mr. Dahl" is a 17-minute look at author Roald Dahl through vintage footage and new interviews with family, friends, and colleagues. "Becoming Oompa-Loompa" follows Deep Roy as he is filmed over and over again through his dance steps and music performances.

Roy is a constant throughout the kids' activities as well. You can follow him to learn two different dance steps "Augustus Gloop" and "Violet Beauregarde," and make him taste weird candy inventions in a simple game. "Search for the Golden Ticket" is a five-part challenge that tests your remote-control fingers, your deductive abilities, or your luck. Finally, if you just want basic behind-the-scenes information, "Making the Mix" is a collection of featurettes (around 40 minutes total) covering the film's casting, music, produ! ction design, and special effects. --David HoriuchiWe r! ecommend you read this unit on your kindle machine with a 1 font for best viewing
This unit study offers many wonderful activities to use while having students read the book. There are between 6 and 10 lessons. Activities in this lesson include Fill in the Blank, Multiple Choice, True and False, Comprehension, Encyclopedia Skills Activity, Journal Activity, Vocabulary, Sequencing, Handwriting, Main Idea, Prediction, Comparison

Literature Skills Activities including: Main Character, Main Setting, Main Problem, Possible Solutions, Character Traits, Character Interaction, Cause and Effect, Description, Pyramid of Importance, Villain vs. Hero.

Creative Writing Activities including: Letter, Fairy Tale, Mystery, Science Fiction, Fable, Dream or Nightmare, Tall Tale, Memoir, Newberry Award, A Different Ending.

Writing Skills Activities including: Description, Expository, Dialogue, Process, Point of View, Persuasion, Compare and Contrast, Sequel, Climax! and Plot Analysis.

Poetry Skills Activities including: Couplet, Triplet, Quinzain, Haiku, Cinquain, Tanka, Diamanté, Lantern and Shape Poem.

Create a Newspaper Layout Activities including: Editorial, Travel, Advice Column, Comics, Society News, Sports, Obituary, Weddings, Book Review, Want Ads, Word Search.

Poster Board Activities including: Collage, Theater Poster, Wanted Poster, Coat of Arms, Story Quilt, Chalk Art, Silhouette, Board Game Construction, Door Sign, Jeopardy.

We also offer more activities including instructions for a lapbook at our home site. If you purchase this unit study and let us know by sending us proof of purchase, we will download this unit in PDF version to you which has more activities and the lapbook instructions.

We recommend you read this unit on your kindle machine with a 1 font for best viewing
This unit study offers many wonderful activities to use while having students read the ! book. There are between 6 and 10 lessons. Activities in this l! esson in clude Fill in the Blank, Multiple Choice, True and False, Comprehension, Encyclopedia Skills Activity, Journal Activity, Vocabulary, Sequencing, Handwriting, Main Idea, Prediction, Comparison

Literature Skills Activities including: Main Character, Main Setting, Main Problem, Possible Solutions, Character Traits, Character Interaction, Cause and Effect, Description, Pyramid of Importance, Villain vs. Hero.

Creative Writing Activities including: Letter, Fairy Tale, Mystery, Science Fiction, Fable, Dream or Nightmare, Tall Tale, Memoir, Newberry Award, A Different Ending.

Writing Skills Activities including: Description, Expository, Dialogue, Process, Point of View, Persuasion, Compare and Contrast, Sequel, Climax and Plot Analysis.

Poetry Skills Activities including: Couplet, Triplet, Quinzain, Haiku, Cinquain, Tanka, Diamanté, Lantern and Shape Poem.

Create a Newspaper Layout Activities including: Editorial, Travel, Advice Colum! n, Comics, Society News, Sports, Obituary, Weddings, Book Review, Want Ads, Word Search.

Poster Board Activities including: Collage, Theater Poster, Wanted Poster, Coat of Arms, Story Quilt, Chalk Art, Silhouette, Board Game Construction, Door Sign, Jeopardy.

We also offer more activities including instructions for a lapbook at our home site. If you purchase this unit study and let us know by sending us proof of purchase, we will download this unit in PDF version to you which has more activities and the lapbook instructions.

A poor little boy wins a ticket to visit the inside of a mysterious and magical chocolate factory. When he experiences the wonders inside the factory, the boy discovers that the entire visit is a test of his character.Having proven itself as a favorite film of children around the world, Willy Wonka & the Chocolate Factory is every bit as entertaining now as it was when originally released in 1971. There's a timeless ap! peal to Roald Dahl's classic children's novel, which was playf! ully pre served in this charming musical, from the colorful carnival-like splendor of its production design to the infectious melody of the "Oompah-Loompah" songs that punctuate the story. Who can forget those diminutive Oompah-Loompah workers who recite rhyming parental warnings ("Oompah-Loompah, doopity do...") whenever some mischievous child has disobeyed Willy Wonka's orders to remain orderly? Oh, but we're getting ahead of ourselves ... it's really the story of the impoverished Charlie Bucket, who, along with four other kids and their parental guests, wins a coveted golden ticket to enter the fantastic realm of Wonka's mysterious confectionery. After the other kids have proven themselves to be irresponsible brats, it's Charlie who impresses Wonka and wins a reward beyond his wildest dreams. But before that, the tour of Wonka's factory provides a dazzling parade of delights, and with Gene Wilder giving a brilliant performance as the eccentric candyman, Wonka gains an edge ! of menace and madness that nicely counterbalances the movie's sentimental sweetness. It's that willingness to risk a darker tone--to show that even a wonderland like Wonka's can be a weird and dangerous place if you're a bad kid--that makes this an enduring family classic. --Jeff Shannon

Twice turned into a feature film, Charlie and the Chocolate Factory is a delectable classic about a child's dreams and the eccentric chocolate-maker who makes them come true. When Willy Wonka's hallowed chocolate factory holds a worldwide contest awarding tours to the lucky, five children emerge as winners, including a glutton, a gum- chewing nitwit, a spoiled brat, and a TV addict. Only Charlie Bucket, the story's earnest hero, stands to win the exotic riches of Wonka's empire-if he avoids the pitfalls of his fellow contestants and stays true to his heart. Ingenious and entertaining, Charlie and the Chocolate Factory is a true modern classic.

Charlie and Willy Wo! nka are back, this time in a fantastic journey to outer space ! in their glass elevator.Picking right up where Charlie and the Chocolate Factory left off, Charlie and the Great Glass Elevator continues the adventures of Charlie Bucket, his family, and Willy Wonka, the eccentric candy maker. As the book begins, our heroes are shooting into the sky in a glass elevator, headed for destinations unknown. What follows is exactly the kind of high-spirited magical madness and mayhem we've all come to expect from Willy Wonka and his creator Roald Dahl. The American space race gets a send-up, as does the President, and Charlie's family gets a second chance at childhood. Throw in the Vermicious Knids, Gnoolies, and Minusland and we once again witness pure genius. (Ages 9 to 12)

Bliss Fabulous Foaming Face Wash 6.6 Oz.

Gangster No 1 [Blu-ray]

  • UK Import
  • Blu-ray
  • Region-Free
"Fascinating" (The Hollywood Reporter) and "sensational" (Los Angeles Times), this bold, innovative thriller chronicles the bloody, single-minded climb of a barbarous crime lord to power. Starring Malcolm McDowell (A Clockwork Orange), Paul Bettany (A Beautiful Mind), David Thewlis (Naked) and Saffron Burrows (Deep Blue Sea), Gangster No. 1 enters the psyche of an unrepentant mobster and reveals the madman within. Bettany gives "a brilliantly eerie, star-making performance" (American Film Institute) as a ruthless mobster who slugs, claws and kills his way to the top. But when he learns that the former mentor (Thewlis) he put in prison is about to get out, this self-made monster must not only face a man whose life he ruined but the twisted remnants of his own demented conscience as well.This glinting, scalding gangland phantasmagoria offers a sort! of funhouse-mirror refraction of the life and career of a British hooligan so elemental in his right villainy that he's merely identified as "Gangster." The action begins in 1999, with Malcolm McDowell brutishly savoring his eminence as a crime lord; but more of the film is taken up with an extended flashback to 1968, when his youthful self--played by Paul Bettany (but voiced by McDowell during private reveries)--got his start. Bettany's patron is Freddie Mays, "the Butcher of Mayfair" (David Thewlis), a comparatively suave rotter whom "Young Gangster" more or less simultaneously worships, emulates, and craves to see destroyed. Director Paul McGuigan layers the eras and personalities in a kaleidoscope of jagged stylization (occasionally the image shatters like glass, then hellishly reconstitutes itself). The effect is less to tell a proper story than to suspend us in a state of mind--and a homage to McDowell's landmark role in A Clockwork Orange. But it does exert a! n unclean fascination. --Richard T. JamesonWhen a young! gangste r (Paul Bettany) starts working for gang leader Freddie Mays (David Thewlis), known as the Butcher of Mayfair, he dreams of being everything that Freddie is: smooth, sophisticated, impeccably dressed, always with the right women, and driving the fanciest cars. Freddie takes the young gangster (unnamed in the film but listed as Gangster 55 in the credits) under his wing as a potential war with a rival gang starts to heat up. After Freddie falls for Karen (Saffron Burrows), whom 55 had his eye on, the young gangster lies in wait for an opportunity to change things, and when that moment comes, he leaves a bloodbath of betrayal in his wake. Paul McGuigan's GANGSTER NO. 1 is framed by scenes set in the present, where the aging 55, played with delicious villainy by Malcolm McDowell, narrates the tale of his younger self's rise to power in Soho in the late 1960s. Bettany is a revelation as 55, who seems to enjoy a bit of the old ultraviolence now and again; when he tells a potential victim (or even a friend) to look into his eyes, it is hard for the audience as well not to be mesmerised--and scared out of their wits. McGuigan's fast-paced direction includes creative split screens, extreme close-ups, fireballs coming right at the viewer, and a sweeping handheld camera all set to a swinging 1960s score.This glinting, scalding gangland phantasmagoria offers a sort of funhouse-mirror refraction of the life and career of a British hooligan so elemental in his right villainy that he's merely identified as "Gangster." The action begins in 1999, with Malcolm McDowell brutishly savoring his eminence as a crime lord; but mo! re of the film is taken up with an extended flashback to 1968, when his youthful self--played by Paul Bettany (but voiced by McDowell during private reveries)--got his start. Bettany's patron is Freddie Mays, "the Butcher of Mayfair" (David Thewlis), a comparatively suave rotter whom "Young Gangster" more or less simultaneously worships, emulates, and craves to see destroyed. Director Paul McGuigan layers the eras and personalities in a kaleidoscope of jagged stylization (occasionally the image shatters like glass, then hellishly reconstitutes itself). The effect is less to tell a proper story than to suspend us in a state of mind--and a homage to McDowell's landmark role in A Clockwork Orange. But it does exert an unclean fascination. --Richard T. Jameson

Fashionable Hematite and Silver Tone Dangling Bird in Birdcage Necklace

  • Trendy Birdcage Necklace
  • Conversation Starter
  • Arrives in Gift Box- Perfect for Gift Giving or Treat Yourself
  • Pendant Measures 1 1/2" wide and 2 1/4" long
  • This necklace adjusts from 28" to 31"
Marcia Willett's fans have fallen in love with the English countryside and the wonderful characters that inhabit its idyllic setting. Written with shining honesty and compassion, The Birdcage has every bit of the wonder that Marcia Willett's fans have come to expect…

THE BIRDCAGE

No one can foresee when life is about to change. For Felix Hamilton, it started with an evening at the theater. There, he first set eyes on the captivating actress Angel Blake, and knew he'd never be the same--an intense, forbidden love was about to turn his world upside down...

The Birdcage, Felix called it. For Angel and her daughter Lizzi! e, it was home. The funny old house played host to cozy nights and stolen, joy-filled days. Felix and Angel knew those days couldn't last. And little Lizzie couldn't understand how these times would shape her life. Until, years later, a holiday by the sea and a chance encounter reopen the doors to the Birdcage, secrets, and second chances...

A spectacular celebration of birdcages from antique to contemporary design--the first book on the popular new collectible of the 1990s. Like the objects it showcases, The Birdcage Book is a gem that will fascinate casual readers and serious collectors alike. 75 full-color photographs.A Writers Guild Award nominee for Best Screenplay, here is the complete script and special section "Talking with Nichols," with the director's comments on actors, directing, comedy, collaborations and more; commentaries on the production by Robin Williams, Nathan Lane and others involved in the film, stills, and complete cast and crew credits. ! 50 b/w photos.

The Newmarket Shooting Script(tm) Seri! es f eatures an attractive 7 x 9 1/4 inch format that includes a facsimile of the film's shooting script, as chosen by the writer and/or director, exclusive notes on the film's production and history, stills, and credits.A terrific children's story! On a cold winter's day, the salesman comes across a tiny house in the woods. But all is not as it seems when the owner invites him inside and reveals an incredible secret! Find out how something as simple as an enchanted bird cage can make the owners whole world come crashing down around him! Great bedtime reading for children ages 10 and up!


What are the Traveling Salesman stories about?


Originating from the fantastical tales a father made up from thin air each night for his sons at bedtime, the Traveling Salesman is a mystical, magical wizard of sorts who uses his wits and wizardry to escape tight spots and help those in need. Traveling from town to town, he sells everyday items enchanted with magic! al properties. But beware! If the items are misused the consequences can be dire!


What makes these children's stories so unique is that the main character, the Salesman, is never given a name, nor is he described physically. In fact, none of the characters in the stories are given names!


The Salesman could be any shape or size (tall, short, etc.) or of any background...whatever the child imagines! This distinctive style of writing allows children to imagine the characters as anyone they want! Family members, people in their own communities or even classmates! A completely unique way of telling children’s stories!


Each tale is a standalone story in its own right, but taken together they weave a rich and vibrant world inhabited by werewolves, witches, and magical creatures of every kind! You've never read stories like this before!


Meant for kids ages 10 and up, the stories are full of action and adventur! e, but without the intensity of more adult fare. Just as in re! al life, not every ending is happy, but through the salesman’s adventures your children will learn the value of courage, loyalty and doing right.

To learn more about this story and others in the series, please visit: www.darktimetales.com
A terrific children's story! On a cold winter's day, the salesman comes across a tiny house in the woods. But all is not as it seems when the owner invites him inside and reveals an incredible secret! Find out how something as simple as an enchanted bird cage can make the owners whole world come crashing down around him! Great bedtime reading for children ages 10 and up!


What are the Traveling Salesman stories about?


Originating from the fantastical tales a father made up from thin air each night for his sons at bedtime, the Traveling Salesman is a mystical, magical wizard of sorts who uses his wits and wizardry to escape tight spots and help those in need. Traveling from town to town, he sells everyday item! s enchanted with magical properties. But beware! If the items are misused the consequences can be dire!


What makes these children's stories so unique is that the main character, the Salesman, is never given a name, nor is he described physically. In fact, none of the characters in the stories are given names!


The Salesman could be any shape or size (tall, short, etc.) or of any background...whatever the child imagines! This distinctive style of writing allows children to imagine the characters as anyone they want! Family members, people in their own communities or even classmates! A completely unique way of telling children’s stories!


Each tale is a standalone story in its own right, but taken together they weave a rich and vibrant world inhabited by werewolves, witches, and magical creatures of every kind! You've never read stories like this before!


Meant for kids ages 10 and up, the stories are full of action and adventure,! but without the intensity of more adult fare. Just as in real! life, n ot every ending is happy, but through the salesman’s adventures your children will learn the value of courage, loyalty and doing right.

To learn more about this story and others in the series, please visit: www.darktimetales.com

It was Felix Hamilton who named it the Birdcage--the tall house in Bristol where Miss Pidgeon lives with her tenants, the beautiful and talented actress Angel Blake and Angel's daughter, Lizzie. Lizzie longed for a father, but Felix knew that ultimately he would have to remain with his own son, Piers, at the gracious, mellow Michaelgarth, the family home on the edge of Exmoor.
Many years later, Lizzie comes at last to Michaelgarth and meets Piers for the first time. There she finds a family in trouble--and miraculously, they need her to help them heal.
Written with shining honesty and compassion, The Birdcage has every bit of the wonder that Marcia Willett's fans have come to expect! .
It was Felix Hamilton who named it the Birdcage--the tall house in Bristol where Miss Pidgeon lives with her tenants, the beautiful and talented actress Angel Blake and Angel's daughter, Lizzie. Lizzie longed for a father, but Felix knew that ultimately he would have to remain with his own son, Piers, at the gracious, mellow Michaelgarth, the family home on the edge of Exmoor.
Many years later, Lizzie comes at last to Michaelgarth and meets Piers for the first time. There she finds a family in trouble--and miraculously, they need her to help them heal.
Written with shining honesty and compassion, The Birdcage has every bit of the wonder that Marcia Willett's fans have come to expect.
In Write About an Empty Birdcage, Ellis sets out to trace the lineage of various personal disasters, including a break-up, an eating disorder, and a complex balance of identities. She writes about queerness, Jewish heritage, a! nd embodied femininity, with a critique of power that blends h! umor, th e mess of confession, and a reverence for tension. Ellis is a new poet to watch out for.This romantic hematite and silvertone birdcage necklace is the perfect conversation starter! Wear with a dress or your favorite t-shirt. The over-sized cage has a bird on his perch that dangles on a chain, moving as you do inside his ornate home. The necklace measures 28" long, with a 3" extender so that you can lengthen the necklace to match your outfit. The birdcage pendant measures 1 1/4" wide and 2 1/4" long. Your necklace will arrive in a gift box perfect for gift-giving OR treat yourself.

Marvel Universe 3 3/4 Inch Series 1 Action Figure #8 Daredevil

  • Marvel Universe 3 3/4" action figure line from Hasbro
  • Daredevil is figure #8 from Marvel Universe Series 1
  • Comes with a weapon accessory and a S.H.I.E.L.D. file with secret code
  • For Ages 4 & Up
Studio: Tcfhe Release Date: 09/30/2008 Run time: 124 minutes Rating: Pg13A classic Marvel hero defined by one of comics' greatest visionaries! A Marvel Comics mainstay since 1964, Daredevil got a new lease on life in a landmark 1979-1983 run by writer-penciler Frank Miller and inker-penciler Klaus Janson, whose daring reinvention of the character quickly made Miller one of the biggest and most influential stars in the comic-book industry. Miller put his own stamp on established cast members such as reporter Ben Urich, femme fatale Black Widow, mad assassin Bullseye, the saw-fisted Gladiator, and monstrous crime boss Kingpin. Miller also introduced Daredevil's mysterious men! tor Stick, deadly ninja foes the Hand, and Matt's long-lost love Elektra, a beautiful assassin who would become one of Marvel's most memorable characters. Mixing traditional super-heroics with mysterious martial artistry, doomed romance, and dark personal drama, Miller's character-defining DD run is collected across three titanic trade paperbacks! Collecting Peter Parker, the Spectacular Spider-Man #27-28, and Daredevil #158-161 and #163-172.For Daredevil, justice is blind, and for the guilty…there's hell to pay! Ben Affleck and Jennifer Garner ignite dangerous sparks and nonstop thrills in this "dazzling action-adventure" (The Film Journal) about the newest breed of superhero. By day, blind attorney Matt Murdock (Affleck) toils for justice in Hell's Kitchen. By night, he's Daredevil, The Man Without Fear - a powerful, masked vigilante stalking the dark streets with an uncanny "radar sense" that allows him to "see" with superhuman capabilities. But when the love of his ! life, fiery Elektra Natchios (Garner), is targeted by New York! City's ruthless Kingpin of crime (Michael Clarke Duncan) and his deadly assassin Bullseye (Colin Farrell), Daredevil may be about to meet his match.Darker than its popular comic-book predecessor Spider-Man, the $80 million extravaganza Daredevil was packaged for maximum global appeal, its juvenile plot beginning when 12-year-old Matt Murdock is accidentally blinded shortly before his father is murdered. Later an adult attorney in New York's Hell's Kitchen, Murdock (Ben Affleck) uses his remaining, superenhanced senses to battle crime as Daredevil, the masked and vengeful "man without fear," pitted against dominant criminal Kingpin (Michael Clarke Duncan) and the psychotic Bullseye (Colin Farrell), who can turn almost anything into a deadly projectile. Daredevil is well matched with the dynamic Elektra (Jennifer Garner), but their teaming is as shallow as the movie itself, which is peppered with Marvel trivia and cameo appearances (creator Stan Lee, Clerks direc! tor and Daredevil devotee Kevin Smith) and enough computer-assisted stuntwork to give Spidey a run for his money. This is Hollywood product at its most lavishly vacuous; die-hard fans will argue its merits while its red-leathered hero swoops and zooms toward a sequel. --Jeff Shannon During a character-defining run, Brian Michael Bendis crafted a pulp-fiction narrative that exploited the Man Without Fear's rich tapestry of characters and psychodrama, and resolved them in an incredibly nuanced, modern approach. Now, this Eisner Award-winning run is collected across three titanic trade paperbacks! In this volume, witness the Kingpin's downfall at the hands of Sammy Silke and see how a down-on-his-luck FBI agent can change Matt's life forever. Collects Daredevil #16-19 & #26-40.DAREDEVIL DIRECTOR'S CUT - DVD MovieTHE DEVIL IS REBORN. RENEWED. RESURRECTED. With new enemies, new friends ... and that same old "grinnin' in the face of hell" attitude, the Man With! out Fear is back in action and leading with his face! Mark Wai! d (AMAZI NG SPIDER-MAN, IRREDEEMABLE, RUSE) joins neo-legendary artists Paolo Rivera and Marcos Martin for a new spin on Daredevil that will leave you gasping for air. Having turned his world upside over the past several years, Matt Murdock realizes that justice may not be blind to his past and villains may not be the only ones looking for answers. Bring it on. if Matt Murdock could see what he was doing ... he'd be terrified.

COLLECTING: DAREDEVIL (2011) 1-6

For Daredevil, justice is blind, and for the guilty?there's hell to pay! Ben Affleck and Jennifer Garner ignite dangerous sparks and nonstop thrills in this "dazzling action-adventure" (The Film Journal) about the newest breed of superhero. By day, blind attorney Matt Murdock (Affleck) toils for justice in Hell's Kitchen. By night, he's Daredevil, The Man Without Fear - a powerful, masked vigilante stalking the dark streets with an uncanny "radar sense" that allows him to "see" with superhuman capabilities. Bu! t when the love of his life, fiery Elektra Natchios (Garner), is targeted by New York City's ruthless Kingpin of crime (Michael Clarke Duncan) and his deadly assassin Bullseye (Colin Farrell), Daredevil may be about to meet his match.Darker than its popular comic-book predecessor Spider-Man, the $80 million extravaganza Daredevil was packaged for maximum global appeal, its juvenile plot beginning when 12-year-old Matt Murdock is accidentally blinded shortly before his father is murdered. Later an adult attorney in New York's Hell's Kitchen, Murdock (Ben Affleck) uses his remaining, superenhanced senses to battle crime as Daredevil, the masked and vengeful "man without fear," pitted against dominant criminal Kingpin (Michael Clarke Duncan) and the psychotic Bullseye (Colin Farrell), who can turn almost anything into a deadly projectile. Daredevil is well matched with the dynamic Elektra (Jennifer Garner), but their teaming is as shallow as the movie itself, whi! ch is peppered with Marvel trivia and cameo appearances (creat! or Stan Lee, Clerks director and Daredevil devotee Kevin Smith) and enough computer-assisted stuntwork to give Spidey a run for his money. This is Hollywood product at its most lavishly vacuous; die-hard fans will argue its merits while its red-leathered hero swoops and zooms toward a sequel. --Jeff Shannon "And I -- I have shown him... that a man without hope is a man without fear." The definitive Daredevil tale! Karen Page, Matt Murdock's former lover, has traded away the Man Without Fear's secret identity for a drug fix. Now, Daredevil must find strength as the Kingpin of Crime wastes no time taking him down as low as a human can get. Collects Daredevil #226-233A classic Marvel hero redefined by one of comics' greatest visionaries! A Marvel Comics mainstay since 1964, Daredevil got a new lease on life in a landmark 1979-1983 run by writer-penciler Frank Miller and inker-penciler Klaus Janson, whose daring reinvention of the character quickly made Miller one! of the biggest and most influential stars in the comic-book industry. Miller puts his own stamp on established cast member such as reporter Ben Urich, femme fatale Black Widow, mad assassin Bullseye, the saw-fisted Gladiator, and monstrous crime boss Kingpin. Miller also introduced Daredevil's mysterious mentor Stick, deadly ninja foes the Hand, and Matt's long-lost love Elektra, a beautiful assassin who would become one of Marvel's most memorable characters. Mixing traditional super-heroics with mysterious martial aristry, doomed romance, and dark personal drama, Miller's character-defining DD run is collected across three titanic trade paperbacks! Collects Daredevil #173-184.Highly detailed and articulated 3-3/4 inch scale action figures based on the heroes and villians of the Marvel Comics universe. The Marvel Universe series of figures debuted in 2009.

Bring It On: Fight to the Finish

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  • Format: DVD
  • AC-3; Color; Dolby; Dubbed; DVD; Subtitled; Widescreen; NTSC
BRING IT ON - DVD MovieSunny, happy Torrance (Kirsten Dunst) is the new leader of the Toros, the cheerleading squad of Rancho Carne, an affluent San Diego high school that has lousy football players but one hell of a cheerleading team. National champions, they're the ones who bring in the bodies to the football games with their award-winning moves and sassy grace, and they're poised to take their sixth national cheer title. Torrance's new reign as cheer queen, though, is cut short when she discovers that her snotty, duplicitous forerunner was regularly stealing routines from the East Compton Clovers, the hip-hop influenced cheerleaders of a poor inner city school, and passing them off as the original work of the Toros. Scrambling to come up with a new routine for the Toros--and do the righ! t thing by giving the Clovers their due--Torrance butts heads with the proud and understandably wary Isis (Gabrielle Union), the leader of the Clovers, who wants nothing to do with a rich blond white girl, but does want to get her squad to the championships. Problem is, only one team can take home the national title. Who's it gonna be?

An unexpected box-office hit in the late summer of 2000, Bring It On is a smart, snappy teen comedy that bristles with good cheer (literally) and lively, down-to-earth characters. The story may be fairly predictable (who's going to win the big championship?), but director Peyton Reed and screenwriter Jessica Bendinger have fleshed out their characters with formidable strength and provided them with sharp dialogue. Dunst is a radiant comedian, projecting warmth, determination, sincerity, and a sublime airheadedness, and Union is an impressive dancer and counterpart to Dunst, matching her admirably despite her limited onscreen time.! An excellent young supporting cast rounds out the film, most ! notably Eliza Dushku (Faith of Buffy the Vampire Slayer) and Jesse Bradford (Steven Soderbergh's King of the Hill) as siblings new to Rancho Carne, who become Torrance's best friend and potential new boyfriend, respectively. All in all, a pleasantly surprising and intelligent teen movie. Don't miss the opening sequence, a hilarious send-up of all those high school cheerleading routines you had to sit through at boring pep rallies. --Mark EnglehartBring on the spirit, spunk and sass with everyone's favorite cheerleading series in the Bring It On
Collection! All four high-energy, fun Bring It On movies are here: Bring It On, starring Kirsten Dunst; the hilarious sequel Bring It On Again; the elecGet ready for more fun, attitude and excitement in this all-new comedy! When popular Britney Allen (Hayden Panettiere) moves from posh Pacific Vista to working-class Crenshaw Heights, her life goes from cheer-topia to cheer-tastrophe. Britney finds herself at odds with ! her new classmates, especially head cheerleader Camille (Solange Knowles-Smith). But when she wins a spot on the cheer squad and faces her former team in a cross-town cheer-off to star in music sensation Rihanna's upcoming video, only one team can "bring it" and earn a place in cheer history! Starring: Solange Knowles, Hayden Panettiere, Gus Carr, Marcy Rylan, Cindy Chiu, Giovonnie Samuels, Francia Raisa, Danielle Savre, Jessica Nicole Fife, Jake McDorman, Eric Bruskotter, Kiersten Warren, Rihanna Directed by: Steve RashBring It On: All or Nothing is the idealized version of what happens when a rich girl from an elite California school is forced to transfer to an urban setting for her senior year of high school. Former head cheerleader Britney (Hayden Panettiere, Ice Princess) finds herself with a quandary--does she join the new squad, or does she stick to the promise she made to her old teammates that she'll never cheer again? Given that this is the second s! equel to the Bring It On franchise, which started with ! Kirsten Dunst's 2000 flick, and that there's really no reason for this movie to exist without a match-up between Britney's old and new squads, of course she must bring her pompoms out of retirement. In between routines, she manages to land the hottest male cheerleader, Jesse (Gus Carr), and befriend Camille (Beyonce's little sis Solange Knowles-Smith), the feisty head of the squad. She even excuses Britney from practice when the latter lies and says her family pet has died: "Who am I to stand between a white girl and her dead dog?" Beyond the inclusion of a few broad stereotypes dealt for laughs, this straight-to-DVD movie doesn't dwell on any real racial issues that a spoiled white girl actually might face at a predominantly ethnic school. Unlike Dunst's film, which was mindless but well-crafted, this sequel asks nothing of its actors but to look good and leap high. Bring It On: All or Nothing has already been brought. Twice. --Jae-Ha KimHigh-flyin' fun, hot music an! d no-holds-barred competition go to new heights in this all-new comedy! The feisty East Coast Jets have ruled the Cheer Camp Championships with spunk and attitude for the past few years. Now the spirited West Coast Sharks think they have the right moves and grooves to be crowned top squad. But when cheertastrophe strikes and their dreams of taking home the top prize are in jeopardy, the leaders of both squads realize they'll have to work together and bring it on like never before!The world of cheerleading crashes full-force into the world of young love ala Romeo and Juliet and West Side Story in this boy meets girl, Sharks versus Jets, cheerleading competition where the West-Coast Sharks cheerleading team takes on the reigning champion East-Coast Jets in a cheer camp championship that will culminate in a world-wide tour. Passion and attitude pervade both cheer squads and team leaders Carson (Ashley Benson) and Brooke (Cassie Scerbo) are intent on defeating! one another by any means necessary. A chance encounter betwe! en Jet P enn (Michael Copon) and Shark Carson sparks a quick romance, but team rivalry and suspicion repeatedly put the two at odds with one another. When a rumble between the Sharks and Jets injures a significant number of cheerleaders from both teams, the rivals must either forfeit any chance of victory or find a way to work together to combine their strengths and defeat a host of significant challengers. The parallels to West Side Story are purposeful and strong, but the incessant snobbish, self-absorbed attitudes of the cheerleaders, the stereotypical actions and slang of many characters, and the surprising lack of actual cheer footage make this program unappealing and at times downright distasteful. Great music like "Get Me Bodied" by Beyoncé Get Me Bodied , "Never Stop" by Hilary Duff Never Stop, "Division" by Aly and AJ Insomniatic and "He Said, She Said" by Ashley Tisdale He Said, She Said permeates the entire show and the actual cheer ! footage is spectacular. Aptly rated PG 13 for language, suggestive content, and rude humor. --Tami HoriuchiChristina Milian stars as sassy cheer captain Lina Cruz, whose world is turned upside-down when her family moves from the urban streets of East Los Angeles to the sunny beach town of Malibu. At her new school, Lina clashes with Avery, the ultra-competitive all-star cheer captain, while also falling for Avery’s super-cute brother, Evan. Lina’s always been able to rise to a challenge, but can she create a new all-star squad, beat Avery at the Spirit Championships, and still keep her romance with Evan? Hot music, fierce competition and high-flyin’ fun continue in this all-new movie!Like its predecessors in the Bring It On franchise, Bring It On: Fight to the Finish focuses on a perky cheerleader who's taken out of her comfort zone and ends up excelling in her new environment. This time around, the focus is on Lina Cruz (singer Christina Mil! ian), whose family moves from East Los Angeles to Malibu. The ! streetwi se teen makes an instant frenemy of alpha female Avery (Rachele Brooke Smith)--also a cheerleader--at her new school. Never mind that the two girls don't get along. There's more drama when Lina and Avery's brother Evan (Cody Longo) fall for each other. Though Lina describes her new classmates as living "lifestyles of the rich and annoying" and Avery refers to Lina and her Latina friends as "illegal cheermigrants," the two really aren't that different. Both live for cheerleading and are super driven when it comes to their sport of choice. The viewer gets the impression that if both girls shared the same ethnicity (or at least a similar bank account), they'd be besties at school. The Bring It On franchise was spawned by Kirsten Dunst's hit film from 2000, which clearly had better writing and acting, as well as a larger budget to work with. While films like Bring It On: Fight to the Finish aren't going to win any awards, they do have an appeal to teenage girls! and/or cheerleading fans. The plot really doesn't matter so much as the cheerleading choreography and the driving music behind it. And there's plenty of both in this production. --Jae-Ha Kim

Stills from Bring it On: Fight to the Finish (Click for larger image)


Oakley Men's Full Of It Pullover, Navy Blue, Medium

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Artist: FIRM
Title: FIRM
Street Release Date: 07/07/1987
Domestic
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Title: MEAN BUSINESS
Street Release Date: 07/07/1987
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Genre: ROCK/POP

The Charisian Empire, born in war, has always known it must fight for its very survival. What most of its subjects d! on’t know even now, however, is how much more it’s fighting for. Emperor Cayleb, Empress Sharleyan, Merlin Athrawes, and their innermost circle of most trusted advisers do know. And because they do, they know the penalty if they lose will be far worse than their own deaths and the destruction of all they know and love.

For five years, Charis has survived all the Church of God Awaiting and the corrupt men who control it have thrown at the island empire. The price has been high and paid in blood. Despite its chain of hard-fought naval victories, Charis is still on the defensive. It can hold its own at sea, but if it is to survive, it must defeat the Church upon its own ground. Yet how does it invade the mainland and take the war to a foe whose population outnumbers its own fifteen to one? How does it prevent that massive opponent from rebuilding its fleets and attacking yet again?

Charis has no answer to those questions, but needs to find one…quickly. The ! Inquisition’s brutal torture and hideous executions are clai! ming mor e and more innocent lives. Its agents are fomenting rebellion against the only mainland realms sympathetic to Charis. Religious terrorists have been dispatched to wreak havoc against the Empire’s subjects. Assassins stalk the Emperor and Empress, their allies and advisers, and an innocent young boy, not yet eleven years old, whose father has already been murdered. And Merlin Athrawes, the cybernetic avatar of a young woman a thousand years dead, has finally learned what sleeps beneath the far-off Temple in the Church of God Awaiting’s city of Zion.

The men and women fighting for human freedom and tolerance have built a foundation for their struggle in the Empire of Charis with their own blood, but will that foundation be firm enough to survive?

An Email Exchange Between David Weber and Taylor Anderson, author of Firestorm: Destroyermen.

Taylor An!  derson

Taylor Anderson: Hi David! I just now--literally--got back from the WorldCon in Reno. It was fun--and I was also able to personally thank Steve Stirling for the nice blurb he gave my first book. Of course, I am also humbly honored by the very nice blurb you just gave me! If we're not careful, people might begin to suspect we are friends! Of course my meager, good opinion of everything you have written is a matter of record--and espoused at every opportunity!

David Weber: Friends! Friends!? How could anyone possibly suspect such a thing?! But I digress. You're certainly welcome to the cover blurb, since it's only accurate. I mean, us being friends and all I probably would have lied for you if I'd needed to, but what the heck? It's always nicer when you can sa! y nice things because they're accurate. Helps add to your repu! tation f or infallibility, you know.

Anyway, I've got How Firm a Foundation, which is, what--Safehold #4?--coming out in September. You've got one coming out next month, too, as I recall. So you want to tell me what you're going to do to Walker's crew and their friends this time?

Taylor Anderson: I am SOOOOO stoked to read How Firm a Foundation. Most of my reading lately has been old tech manuals, and I need some David Weber! I love how your "Merlin" manages to prod the Safehold tech development along. Artificial being or not, it has to be frustrating to have all that information--that will save lives--running around in his/her head and have to be so careful about revealing it in a logical progression. I'm still improving the "tech" in Firestorm: Destroyermen--which comes out October 4th--but the contrast in how it is applied is fun to compare to the Safehold series.

Your "Merlin" knows…everything, but has to hold! back while everyone else accepts what is possible, whereas my Destroyermen know what is possible, but don't necessarily know how, or how best to achieve it. Different frustrations. Your guys have to be a lot more careful! Of course the Grik are still there, with their mad Japanese advisor--but the Grik are starting to "get wise" almost in spite of Kurokawa. He gives them technology, but retains his own agenda. Battle will rage on the land, sea, and in the air!

David Weber

David Weber: Well, as you know, I "snippet" excerpts of the books on my website, so we're several thousand words into How Firm a Foundation, already. That makes things…interesting from my perspective, since the fans can't wait to start suggesting what my characters should be "inventing" next. I haven't even ! got steam engines past the proscriptions of the Inquisition ye! t, and s ome of these guys seem to think I should already be designing King Edward VII-class, pre-dreadnought battleships! I did just give the Charisians breech-loading caplocks, though. That's going to make life interesting for the other side. And Merlin is about to find out (sort of) what I stashed--I'm sorry, what the Archangel Langhorne stashed--under the Temple. It is a bit darker book, though, since the Church gets in a few licks of its own this time around. Your guys have had that experience, too, I think, haven't they?

One thing I'm pondering about is introducing a better propellant than black powder. I'd have to be really careful about that, dealing with the anti-technology proscriptions, but back when Safehold was first settled, the Church did set up the rote preparation and production of fertilizers on a relatively large-scale. It's occurred to me that if I want to introduce nitrocellulose, I might have a platform for that in the fertilizer industry! . Or perhaps I should say in the fertilizer pre-industry, since we're not exactly talking about current day DuPont levels of production. What do you think? Practical or would I be stretching things too far?

Taylor Anderson: I haven't done "snippets," but I still get a lot of suggestions and speculation on my web site and through direct contacts. I think it's fun and exciting that so many people are thinking about our books. Some of the suggestions are a little strange--okay, sometimes all I can do is just stare--but Destroyermen is a kind of strange story! The contrast between "They couldn't really do that," and "Why don't they have atomic weapons yet?" from one contact to the next can be amusing though. Things take time, particularly when your characters have to find the things to build the things to build the things they need.

If you're asking my opinion on propellants, I'd have to suggest sticking with black powder for a while.! Your caplock breechloaders will be easy to convert, certainly! . I'm co nverting rifle-muskets to a type of "Allin" breechloader myself. But you can actually get better performance out of black powder in such weapons since they weren't designed (or alloyed and treated) for the higher pressures "smokeless" produces. You'd have to make some major leaps in metallurgy to support jacketed bullets as well, and without them, you're stuck with black powder velocities anyway. Besides, your battles are so much more artistic with plenty of fire and smoke!

Of course, then comes logistics! Ha! As you always show so well, getting "new" stuff to the pointy end--and supplying it--is the greatest challenge of all…but then that's pretty fun to write and read about too, isn't it? Wow. I can't wait to be taunted with what you Langhorne stashed! People who know we are friends ask me all the time what "it" is and don't really believe me when I tell them "I don't know!" If I did, I wouldn't rat--and I don't WANT to know until it unfolds on the pages ! in front of me!

David Weber: I'm inclined to stick with black powder for small arms for quite a while, for a lot of reasons, including the ones you've mentioned. I'm not too sure about how major a jump I'd have to make to support jacketed bullets--the Safehold-ian tech structure doesn't match up perfectly with any particular, in Earth's history, thanks to all of the "technologies without the science" tucked away in the Holy Writ. That means it wouldn't be beyond the reach of allowable technologies (and Safehold-current techniques) to form copper jackets and then compress the lead into them. I'm inclined to agree with you about the conversion process, and I'm also inclined to think that converting the smokeless powders would also require a drop in caliber, if I want to take advantage of the higher velocities flatter trajectories without beating my poor riflemen to death!

I was looking at improved propellants more from the perspecti! ve of naval gunnery, field artillery, and shell-fillers (I kno! w, I kno w--not a "propellant". So sue me!) and that sort of thing. Can't have really long-range gunnery without predictable propellant burn times, and I don't think I can get that kind of quality control out of black powder. At the same time, I have to be thinking in terms of reasonably attainable technologies. And you'd better believe I plan on putting my head together with yours when I actually start converting to cartridges and repeaters!

Of course, my life is even more interesting in the next couple of months than yours is, because I [he said, blushing modestly and looking down at his toes] have a new book coming out in October, as well! I finally got around to writing that young adult novel I've wanted to write for so long for Baen's publishing, A Beautiful Friendship, next month. Trust me; it's a very different change of pace from the Safehold books!

Taylor Anderson: Oh I know about A Beautiful Friendship, you prolific devil. I! 've already pre-ordered it too. You're right of course. No real reason why better steels would be proscribed I guess. That's what I meant about jacketed bullets, by the way. Not the bullets themselves, but the barrels that will have to survive them--especially if you increase your rate of fire dramatically! Hehe. Once you eliminate that gas-gushing vent in a muzzle-loader, black powder is amazingly consistent in cartridges--but you still need a whopping heavy (and abusive) bullet to carry your energy along. Flat shooters they ain't.

It's no secret that "my" Destroyermen have been working on guncotton and other things. They have the recipe--from that same, valuable little manual we both have!--but the recipe needs a little adjustment when you're not sure what to use for cotton, for example!

Experimentation can be exciting, and a lot of the fun is letting the characters come up with their own angles. Like I've said, as capable as my Destroyermen are, there ! are a lot of things they don't know how to do, and they often ! come up with weird, "wrong," but adequate procedures. Also, with their fascination for gizmos, the Lemurians are beginning to come up with some slap your forehead notions and applications that might never have occurred to humans--which begs the question: why did they occur to me?

I'm all for juicing up naval artillery--or any artillery at all, as you know--but at sea, particularly, greater range is wasted without some advanced means of fire control. Even rifling won't help much. It's all in the timing, if you know what I mean. Oh, I've got the perfect repeater for you! I can't--actually won't use it--for the same reason I won't use another conversion we discussed, and I would love to see you use (hint). They just wouldn't make sense for my guys and their different starting point. For YOU however…they might even pass the proscriptions!

David Weber: Oh, yeah. I just finished, like a week or so ago, posting somewhere around a 5,000-word disse! rtation on the requirements for long-range naval gunnery on the Safehold forum on my website, because some of my readers were wondering how soon the Imperial Charisian Navy is going to go to long-range gunnery, by which some of them seemed to be thinking 20,000 or 30,000 yards. I had to explain that without centralized fire control to make sure all guns fired at exactly the right moment and on the right bearing, without inclinometers to be sure they fired at the right point in the ship's roll, without the ability to predict target movement, without accurate range-finding, and--especially--without predictable and repeatable propellant burn times (not to mention monitoring board erosion, temperature, humidity, propellant temperature, etc.), accurate naval gunnery at anything much over 6,000 yards is going to be problematical at best. I think that sort of "taking things for granted" is part of the price we pay for living at the "user end" of a technological world in the first ! place, but it starts coming home to you when you do the kind o! f thing you and I are doing in our books which is trying to build a technological infrastructure from scratch and figuring out how the wheel was invented in the first place!

Although, you know, thinking about it, what we're both doing in our different ways that's even more significant than the technology, I think, is looking at the values of the fictitious societies we've created. When you come down to it, technology is just tools -- it's what people do with those tools that distinguishes them from one another. Dark Age mentalities can do terrifying amounts of damage with modern technology. God knows we've seen enough of that in recent years, haven't we? I first came up with the concept for the Safehold books something like twenty years ago, and I've been mostly faithful to that original concept, but I can't pretend it hasn't been modified by things that have happened in the real world since. I actually make an effort to avoid having that happen, but I don't think any autho! r can do that, really. After all, we live in the real world! But what my heroes are doing on Safehold and what your Destroyermen and their allies are doing on your alternate Earth is trying to push back the darkness, and I think that's the real reason a lot of their fans want to know what happens next in both universes. I know I sure do, at any rate!

Taylor Anderson: Ha! Few things could be more difficult to comprehend than all the variables that prevent accurate long range naval gunnery. Just figuring out all those variables is hard enough, and then compensating for them all presents an incredibly daunting challenge. The first "modern" computers, in all their complexity, were devoted to just that. Powered torpedoes add even more wild variables. I'll have to read your post to see how you managed to explain it all in a mere 5,000 words! I imagine that if anyone could do it, it would be you!

Ultimately however, I couldn't agree with you mor! e; the people are the story. The technology is fun to r! esearch, bend to our specific applications, write about, and kick around with each other, but our characters--defined by their character--drive the stories. The "Safehold" and the people who inhabit it, that Nimue Alban's…memories…awoke to was every bit as alien as the world Matt Reddy and his crew of USS Walker encounter in Destroyermen. Both worlds are as remote as they can possibly be to what they knew before, and full of unfamiliar threats and challenges. It is how they--and those around them--deal with their apparently insurmountable obstacles that form the "souls" of each story. Both have a vision for how best to protect and secure the people--and worlds--they have inherited, and both are determined to accomplish their task regardless of the cost, particularly to themselves. In this day and age, it may seem quaint to some that people might be so determined to "do the right thing, as they see it, when nobody is looking," in a sense. But I believe that quality is stil! l admired, and is, I hope, the most resonant chord we have struck with both our tales.

The Charisian Empire, born in war, has always known it must fight for its very survival. What most of its subjects don’t know even now, however, is how much more it’s fighting for. Emperor Cayleb, Empress Sharleyan, Merlin Athrawes, and their innermost circle of most trusted advisers do know. And because they do, they know the penalty if they lose will be far worse than their own deaths and the destruction of all they know and love.

For five years, Charis has survived all the Church of God Awaiting and the corrupt men who control it have thrown at the island empire. The price has been high and paid in blood. Despite its chain of hard-fought naval victories, Charis is still on the defensive. It can hold its own at sea, but if it is to survive, it must defeat the Church upon its own ground. Yet how does it invade the mainland and take the war to a foe whose populati! on outnumbers its own fifteen to one? How does it prevent that! massive opponent from rebuilding its fleets and attacking yet again?

Charis has no answer to those questions, but needs to find one…quickly. The Inquisition’s brutal torture and hideous executions are claiming more and more innocent lives. Its agents are fomenting rebellion against the only mainland realms sympathetic to Charis. Religious terrorists have been dispatched to wreak havoc against the Empire’s subjects. Assassins stalk the Emperor and Empress, their allies and advisers, and an innocent young boy, not yet eleven years old, whose father has already been murdered. And Merlin Athrawes, the cybernetic avatar of a young woman a thousand years dead, has finally learned what sleeps beneath the far-off Temple in the Church of God Awaiting’s city of Zion.

The men and women fighting for human freedom and tolerance have built a foundation for their struggle in the Empire of Charis with their own blood, but will that foundation be firm enough to survive?

An Email Exchange Between David Weber and Taylor Anderson, author of Firestorm: Destroyermen.

Taylor Anderson

Taylor Anderson: Hi David! I just now--literally--got back from the WorldCon in Reno. It was fun--and I was also able to personally thank Steve Stirling for the nice blurb he gave my first book. Of course, I am also humbly honored by the very nice blurb you just gave me! If we're not careful, people might begin to suspect we are friends! Of course my meager, good opinion of everything you have written is a matter of record--and espoused at every opportunity!

David Weber: Friends! Friends!? How could anyone possibly suspect such a thing?! But I d! igress. You're certainly welcome to the cover blurb, since it'! s only a ccurate. I mean, us being friends and all I probably would have lied for you if I'd needed to, but what the heck? It's always nicer when you can say nice things because they're accurate. Helps add to your reputation for infallibility, you know.

Anyway, I've got How Firm a Foundation, which is, what--Safehold #4?--coming out in September. You've got one coming out next month, too, as I recall. So you want to tell me what you're going to do to Walker's crew and their friends this time?

Taylor Anderson: I am SOOOOO stoked to read How Firm a Foundation. Most of my reading lately has been old tech manuals, and I need some David Weber! I love how your "Merlin" manages to prod the Safehold tech development along. Artificial being or not, it has to be frustrating to have all that information--that will save lives--running around in his/her head and have to be so careful about revealing it in a logical progression. I'm still improvin! g the "tech" in Firestorm: Destroyermen--which comes out October 4th--but the contrast in how it is applied is fun to compare to the Safehold series.

Your "Merlin" knows…everything, but has to hold back while everyone else accepts what is possible, whereas my Destroyermen know what is possible, but don't necessarily know how, or how best to achieve it. Different frustrations. Your guys have to be a lot more careful! Of course the Grik are still there, with their mad Japanese advisor--but the Grik are starting to "get wise" almost in spite of Kurokawa. He gives them technology, but retains his own agenda. Battle will rage on the land, sea, and in the air!

David Weber

David Weber: Well, as you know, I "snippet" excerpts of the books on my website, so we're several tho! usand words into How Firm a Foundation, already. That m! akes thi ngs…interesting from my perspective, since the fans can't wait to start suggesting what my characters should be "inventing" next. I haven't even got steam engines past the proscriptions of the Inquisition yet, and some of these guys seem to think I should already be designing King Edward VII-class, pre-dreadnought battleships! I did just give the Charisians breech-loading caplocks, though. That's going to make life interesting for the other side. And Merlin is about to find out (sort of) what I stashed--I'm sorry, what the Archangel Langhorne stashed--under the Temple. It is a bit darker book, though, since the Church gets in a few licks of its own this time around. Your guys have had that experience, too, I think, haven't they?

One thing I'm pondering about is introducing a better propellant than black powder. I'd have to be really careful about that, dealing with the anti-technology proscriptions, but back when Safehold was first settled, the Chur! ch did set up the rote preparation and production of fertilizers on a relatively large-scale. It's occurred to me that if I want to introduce nitrocellulose, I might have a platform for that in the fertilizer industry. Or perhaps I should say in the fertilizer pre-industry, since we're not exactly talking about current day DuPont levels of production. What do you think? Practical or would I be stretching things too far?

Taylor Anderson: I haven't done "snippets," but I still get a lot of suggestions and speculation on my web site and through direct contacts. I think it's fun and exciting that so many people are thinking about our books. Some of the suggestions are a little strange--okay, sometimes all I can do is just stare--but Destroyermen is a kind of strange story! The contrast between "They couldn't really do that," and "Why don't they have atomic weapons yet?" from one contact to the next can be amusing though. Things take time, part! icularly when your characters have to find the things to build! the thi ngs to build the things they need.

If you're asking my opinion on propellants, I'd have to suggest sticking with black powder for a while. Your caplock breechloaders will be easy to convert, certainly. I'm converting rifle-muskets to a type of "Allin" breechloader myself. But you can actually get better performance out of black powder in such weapons since they weren't designed (or alloyed and treated) for the higher pressures "smokeless" produces. You'd have to make some major leaps in metallurgy to support jacketed bullets as well, and without them, you're stuck with black powder velocities anyway. Besides, your battles are so much more artistic with plenty of fire and smoke!

Of course, then comes logistics! Ha! As you always show so well, getting "new" stuff to the pointy end--and supplying it--is the greatest challenge of all…but then that's pretty fun to write and read about too, isn't it? Wow. I can't wait to be taunted with what you Langhorne stashed! People who know we are friends ask me all the time what "it" is and don't really believe me when I tell them "I don't know!" If I did, I wouldn't rat--and I don't WANT to know until it unfolds on the pages in front of me!

David Weber: I'm inclined to stick with black powder for small arms for quite a while, for a lot of reasons, including the ones you've mentioned. I'm not too sure about how major a jump I'd have to make to support jacketed bullets--the Safehold-ian tech structure doesn't match up perfectly with any particular, in Earth's history, thanks to all of the "technologies without the science" tucked away in the Holy Writ. That means it wouldn't be beyond the reach of allowable technologies (and Safehold-current techniques) to form copper jackets and then compress the lead into them. I'm inclined to agree with you about the conversion process, and I'm also inclined to think that converting the smokeless powders would als! o require a drop in caliber, if I want to take advantage of th! e higher velocities flatter trajectories without beating my poor riflemen to death!

I was looking at improved propellants more from the perspective of naval gunnery, field artillery, and shell-fillers (I know, I know--not a "propellant". So sue me!) and that sort of thing. Can't have really long-range gunnery without predictable propellant burn times, and I don't think I can get that kind of quality control out of black powder. At the same time, I have to be thinking in terms of reasonably attainable technologies. And you'd better believe I plan on putting my head together with yours when I actually start converting to cartridges and repeaters!

Of course, my life is even more interesting in the next couple of months than yours is, because I [he said, blushing modestly and looking down at his toes] have a new book coming out in October, as well! I finally got around to writing that young adult novel I've wanted to write for so long for Baen's publishing, A Beau! tiful Friendship, next month. Trust me; it's a very different change of pace from the Safehold books!

Taylor Anderson: Oh I know about A Beautiful Friendship, you prolific devil. I've already pre-ordered it too. You're right of course. No real reason why better steels would be proscribed I guess. That's what I meant about jacketed bullets, by the way. Not the bullets themselves, but the barrels that will have to survive them--especially if you increase your rate of fire dramatically! Hehe. Once you eliminate that gas-gushing vent in a muzzle-loader, black powder is amazingly consistent in cartridges--but you still need a whopping heavy (and abusive) bullet to carry your energy along. Flat shooters they ain't.

It's no secret that "my" Destroyermen have been working on guncotton and other things. They have the recipe--from that same, valuable little manual we both have!--but the recipe needs a little adjustment when you're not su! re what to use for cotton, for example!

Experimentati! on can b e exciting, and a lot of the fun is letting the characters come up with their own angles. Like I've said, as capable as my Destroyermen are, there are a lot of things they don't know how to do, and they often come up with weird, "wrong," but adequate procedures. Also, with their fascination for gizmos, the Lemurians are beginning to come up with some slap your forehead notions and applications that might never have occurred to humans--which begs the question: why did they occur to me?

I'm all for juicing up naval artillery--or any artillery at all, as you know--but at sea, particularly, greater range is wasted without some advanced means of fire control. Even rifling won't help much. It's all in the timing, if you know what I mean. Oh, I've got the perfect repeater for you! I can't--actually won't use it--for the same reason I won't use another conversion we discussed, and I would love to see you use (hint). They just wouldn't make sense for my guys and thei! r different starting point. For YOU however…they might even pass the proscriptions!

David Weber: Oh, yeah. I just finished, like a week or so ago, posting somewhere around a 5,000-word dissertation on the requirements for long-range naval gunnery on the Safehold forum on my website, because some of my readers were wondering how soon the Imperial Charisian Navy is going to go to long-range gunnery, by which some of them seemed to be thinking 20,000 or 30,000 yards. I had to explain that without centralized fire control to make sure all guns fired at exactly the right moment and on the right bearing, without inclinometers to be sure they fired at the right point in the ship's roll, without the ability to predict target movement, without accurate range-finding, and--especially--without predictable and repeatable propellant burn times (not to mention monitoring board erosion, temperature, humidity, propellant temperature, etc.), accurate naval gunnery! at anything much over 6,000 yards is going to be problematica! l at bes t. I think that sort of "taking things for granted" is part of the price we pay for living at the "user end" of a technological world in the first place, but it starts coming home to you when you do the kind of thing you and I are doing in our books which is trying to build a technological infrastructure from scratch and figuring out how the wheel was invented in the first place!

Although, you know, thinking about it, what we're both doing in our different ways that's even more significant than the technology, I think, is looking at the values of the fictitious societies we've created. When you come down to it, technology is just tools -- it's what people do with those tools that distinguishes them from one another. Dark Age mentalities can do terrifying amounts of damage with modern technology. God knows we've seen enough of that in recent years, haven't we? I first came up with the concept for the Safehold books something like twenty years ago, and I've been mostl! y faithful to that original concept, but I can't pretend it hasn't been modified by things that have happened in the real world since. I actually make an effort to avoid having that happen, but I don't think any author can do that, really. After all, we live in the real world! But what my heroes are doing on Safehold and what your Destroyermen and their allies are doing on your alternate Earth is trying to push back the darkness, and I think that's the real reason a lot of their fans want to know what happens next in both universes. I know I sure do, at any rate!

Taylor Anderson: Ha! Few things could be more difficult to comprehend than all the variables that prevent accurate long range naval gunnery. Just figuring out all those variables is hard enough, and then compensating for them all presents an incredibly daunting challenge. The first "modern" computers, in all their complexity, were devoted to just that. Powered torpedoes add even more wild v! ariables. I'll have to read your post to see how you managed t! o explai n it all in a mere 5,000 words! I imagine that if anyone could do it, it would be you!

Ultimately however, I couldn't agree with you more; the people are the story. The technology is fun to research, bend to our specific applications, write about, and kick around with each other, but our characters--defined by their character--drive the stories. The "Safehold" and the people who inhabit it, that Nimue Alban's…memories…awoke to was every bit as alien as the world Matt Reddy and his crew of USS Walker encounter in Destroyermen. Both worlds are as remote as they can possibly be to what they knew before, and full of unfamiliar threats and challenges. It is how they--and those around them--deal with their apparently insurmountable obstacles that form the "souls" of each story. Both have a vision for how best to protect and secure the people--and worlds--they have inherited, and both are determined to accomplish their task regardless of the cost, parti! cularly to themselves. In this day and age, it may seem quaint to some that people might be so determined to "do the right thing, as they see it, when nobody is looking," in a sense. But I believe that quality is still admired, and is, I hope, the most resonant chord we have struck with both our tales.

The Charisian Empire, born in war, has always known it must fight for its very survival. What most of its subjects don’t know even now, however, is how much more it’s fighting for. Emperor Cayleb, Empress Sharleyan, Merlin Athrawes, and their innermost circle of most trusted advisers do know. And because they do, they know the penalty if they lose will be far worse than their own deaths and the destruction of all they know and love.

For five years, Charis has survived all the Church of God Awaiting and the corrupt men who control it have thrown at the island empire. The price has been high and paid in blood. Despite its chain of hard-fought naval vict! ories, Charis is still on the defensive. It can hold its own a! t sea, b ut if it is to survive, it must defeat the Church upon its own ground. Yet how does it invade the mainland and take the war to a foe whose population outnumbers its own fifteen to one? How does it prevent that massive opponent from rebuilding its fleets and attacking yet again?

Charis has no answer to those questions, but needs to find one…quickly. The Inquisition’s brutal torture and hideous executions are claiming more and more innocent lives. Its agents are fomenting rebellion against the only mainland realms sympathetic to Charis. Religious terrorists have been dispatched to wreak havoc against the Empire’s subjects. Assassins stalk the Emperor and Empress, their allies and advisers, and an innocent young boy, not yet eleven years old, whose father has already been murdered. And Merlin Athrawes, the cybernetic avatar of a young woman a thousand years dead, has finally learned what sleeps beneath the far-off Temple in the Church of God Awaiting’s city of Zi! on.

The men and women fighting for human freedom and tolerance have built a foundation for their struggle in the Empire of Charis with their own blood, but will that foundation be firm enough to survive?

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